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Pre-comp or scale on output or output lossless and scale are the only reliable methods I’ve found. Scaling within a comp with all the variables of plug-in, anchor points and position keyframe math has never worked on my IMAX project as I often have to scale down for output coming from a 5600 x 4200 master. Also, designing small and trying to scale up is equally a mess. stephen van vuuren 336.202.4777 http://www.outsideinthemovie.com/ A film is – or should be – more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later. –Stanley Kubrick |
