Return-Path: Received: from imr-da02.mx.aol.com ([205.188.105.144] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4570363 for AE-List@media-motion.tv; Thu, 22 Dec 2011 01:08:53 +0100 Received: from mtaomg-ma05.r1000.mx.aol.com (mtaomg-ma05.r1000.mx.aol.com [172.29.41.12]) by imr-da02.mx.aol.com (8.14.1/8.14.1) with ESMTP id pBM0F3Tf023546 for ; Wed, 21 Dec 2011 19:15:03 -0500 Received: from core-mhe001b.r1000.mail.aol.com (core-mhe001.r1000.mail.aol.com [172.29.239.129]) by mtaomg-ma05.r1000.mx.aol.com (OMAG/Core Interface) with ESMTP id DC291E000086 for ; Wed, 21 Dec 2011 19:15:02 -0500 (EST) From: TSassoon@aol.com Message-ID: <48694.7155cd1c.3c23d086@aol.com> Date: Wed, 21 Dec 2011 19:15:02 -0500 (EST) Subject: Re: [AE] Adobe's new upgrade policy and Creative Cloud licensing model To: AE-List@media-motion.tv MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_48694.7155cd1c.3c23d086_boundary" X-Mailer: Thunderbird - Mac OS X sub 310 X-Originating-IP: [108.23.214.125] x-aol-global-disposition: G DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=mx.aol.com; s=20110426; t=1324512903; bh=3MddLsg3S4nC1WWwu4Zgj4zBfmMpeLYMdE/1fUR+YZc=; h=From:To:Subject:Message-ID:Date:MIME-Version:Content-Type; b=H2dYn3ThGcKjM5Os0YXxFYiubpjq8gtHIUIXNyA6w/ued7m2CnI+5DD1t1jcRc+/v mYG84lTzJlpk6bnYvKHrP1qzOOBQVro88wB/eQBNY0DsRo09OSnZqZR3VORl4a7iog X2JrBVD5CKCPaaCr3g4qS5qx4EczMMmErOTBuh1Y= X-AOL-SCOLL-SCORE: 0:2:488426656:93952408 X-AOL-SCOLL-URL_COUNT: 0 x-aol-sid: 3039ac1d290c4ef276866510 --part1_48694.7155cd1c.3c23d086_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit In a message dated 12/21/11 12:28:11 PM, pixelbot@comcast.net writes: > I had a artist friend that stayed on 6.5 well into 8 > We just finished a subcontract show for a client that had to be done in CS3 to stay even with them. At least we got them away from Tinderbox 1, which they were using last year. Only a few years ago we showed up at a major film director's edit suite, and they're cutting on an Avid so old it didn't have a CD-ROM drive, just a floppy. "It's paid for" was the answer. OTOH, I think the big driver for the change is to make corporate budgeting easier. Tim Sassoon SFD Santa Monica, CA --part1_48694.7155cd1c.3c23d086_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
In a message dated 12/21/11 12:28:11 PM, pixelbot@comcast.net writes:

I had a artist fri= end that stayed on 6.5 well into 8


We just finished a subcontract show for a client that had to be done in CS3= to stay even with them. At least we got them away from Tinderbox 1, which = they were using last year.

Only a few years ago we showed up at a major film director's edit suite, an= d they're cutting on an Avid so old it didn't have a CD-ROM drive, just a f= loppy. "It's paid for" was the answer.

OTOH, I think the big driver for the change is to make corporate budgeting = easier.


Tim Sassoon
SFD
Santa Monica, CA

 --part1_48694.7155cd1c.3c23d086_boundary--