Return-Path: Received: from mail-iy0-f169.google.com ([209.85.210.169] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4577814 for AE-List@media-motion.tv; Sat, 31 Dec 2011 20:16:17 +0100 Received: by iacb35 with SMTP id b35so26292864iac.28 for ; Sat, 31 Dec 2011 11:22:49 -0800 (PST) Received: by 10.50.160.194 with SMTP id xm2mr51607209igb.18.1325359368178; Sat, 31 Dec 2011 11:22:48 -0800 (PST) Return-Path: Received: from [192.168.5.88] ([64.134.161.116]) by mx.google.com with ESMTPS id gf6sm93721582igb.1.2011.12.31.11.22.46 (version=TLSv1/SSLv3 cipher=OTHER); Sat, 31 Dec 2011 11:22:47 -0800 (PST) Subject: Re: [AE] HDR-esque technique for high-speed footage References: From: Brian Higgins Content-Type: text/plain; charset=us-ascii X-Mailer: iPhone Mail (9A405) In-Reply-To: Message-Id: <63F6C57C-CD9A-4BA5-9545-B40BC8CBB21D@soldesignfx.com> Date: Sat, 31 Dec 2011 13:22:44 -0600 To: After Effects Mail List Content-Transfer-Encoding: quoted-printable Mime-Version: 1.0 (1.0) When confronted with some similar Epic HDRx footage, I got ok results by lum= a keying the highlights footage in. Low tech, but it worked! Sent from my iPhone On Dec 31, 2011, at 1:13 PM, Dave Bittner wrote: > I've got some footage from a Photron high speed camera that's presented an= interesting challenge to me. The camera records a sequence of images that h= ave a 48 bit depth, which is a large dynamic range. On export to QuickTime, h= owever, you are forced choose a bracketed range of 8 bits. After multiple ex= ports, I'm left with a movie that's underexposed, one that's properly expose= d, and one that's overexposed. I want to combine then, HDR-style, to show th= e details in the highlights. (The footage is a series of explosions, so ther= e's a lot going in the highlights.) >=20 > Any tips for stacking the footage in AE? >=20 > Thanks! >=20 > Dave Bittner - Pixel Workshop Inc. > www.pixelworkshop.com > 410.381.8555 > Twitter @bittner >=20 >=20 >=20 >=20 > +---End of message---+ > To unsubscribe send any message to