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| When confronted with some similar Epic HDRx footage, I got ok results by luma keying the highlights footage in. Low tech, but it worked! Sent from my iPhone On Dec 31, 2011, at 1:13 PM, Dave Bittner <dave@pixelworkshop.com> wrote: > I've got some footage from a Photron high speed camera that's presented an interesting challenge to me. The camera records a sequence of images that have a 48 bit depth, which is a large dynamic range. On export to QuickTime, however, you are forced choose a bracketed range of 8 bits. After multiple exports, I'm left with a movie that's underexposed, one that's properly exposed, and one that's overexposed. I want to combine then, HDR-style, to show the details in the highlights. (The footage is a series of explosions, so there's a lot going in the highlights.) > > Any tips for stacking the footage in AE? > > Thanks! > > Dave Bittner - Pixel Workshop Inc. > www.pixelworkshop.com > 410.381.8555 > Twitter @bittner > > > > > +---End of message---+ > To unsubscribe send any message to <ae-list-off@media-motion.tv> |
