Return-Path: Received: from nm22-vm0.bullet.mail.bf1.yahoo.com ([98.139.212.126] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with SMTP id 4577916 for ae-list@media-motion.tv; Sun, 01 Jan 2012 02:59:21 +0100 Received: from [98.139.212.152] by nm22.bullet.mail.bf1.yahoo.com with NNFMP; 01 Jan 2012 02:05:54 -0000 Received: from [98.139.212.212] by tm9.bullet.mail.bf1.yahoo.com with NNFMP; 01 Jan 2012 02:05:54 -0000 Received: from [127.0.0.1] by omp1021.mail.bf1.yahoo.com with NNFMP; 01 Jan 2012 02:05:54 -0000 X-Yahoo-Newman-Property: ymail-3 X-Yahoo-Newman-Id: 219879.31498.bm@omp1021.mail.bf1.yahoo.com Received: (qmail 65330 invoked by uid 60001); 1 Jan 2012 02:05:54 -0000 DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=yahoo.com; s=s1024; t=1325383554; bh=E+Gj6bNrYPvuHcQxb+uUGaFoYZXb209yAsteWnnDEUQ=; h=X-YMail-OSG:Received:X-Mailer:Message-ID:Date:From:Subject:To:In-Reply-To:MIME-Version:Content-Type; b=tCHuJhLJG4LPOqlpkCWy+1zUH6q+NcZsS+npCoPwwvTu3P84nEPZHpu9ilvJ05HF0GT/9UC4dTwn8ESbBRZMRwbtmH34wBeZbdZWjmSif4OgIIKHyOj99L86TNKUkYf/tm9xYtDh2She5AbMXYMpytucOU/C2ffyy/0SiDkVHhc= DomainKey-Signature:a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=X-YMail-OSG:Received:X-Mailer:Message-ID:Date:From:Subject:To:In-Reply-To:MIME-Version:Content-Type; b=21oE+SQtOeeUiUjrVMRtJiLDLh2Q4IwPqmwxnmg8MlVosyKQunZASTpZlxpWgPK229mz2AF+ZejNTgFwuEEVFzLPeoua4RT0QPc08mCPGCkoKH8FiXFrG3AY1wkGsZJ7bYMv7W4lWRvcnIJxUd+CRrDG4tjFbLihF11laz1HDsU=; X-YMail-OSG: lH9eSkgVM1n0WcflBuaBbaTEFBugTGcWqtZqELdH5SLPbRw b84leDCPR6f2KWdbthXhBoqp3u60nfn4jCG6MixBQPiBZezEH9C3aP20zAD2 J8kjvipn8vq12f4CDPtkxDwjsnMDANnRbCpw9TpbjoiiyfXBOt.qwsqBjxxe tTU5nlR1AcxKftOOou01hEdYS6FlebK.nQvbEjJPEo5tWly01M7bzeN_BHaE Rtqf9Uou2b7id_HD64FnNGA2U7rl1rXxX33XDTY77LPxfLmpTu7waf5DUdse 9dV2a9uCjQRCps4SkfNiLFc0kfblQDhYGh4pZuaDXg.nWuYKfPrWnC__JFEN ytSIC7Od0lRETjGHJQ4vbbea2P.FTYtdNQx7N1j8DQRSsS_ouHX3NDLx1.bt CBD8qx1195AQA_nwz1oRSSXpMbAjcT3wg3oAoqXxiRApnkNvFLCB6CPlXc22 87GltJe4- Received: from [98.254.147.140] by web160302.mail.bf1.yahoo.com via HTTP; Sat, 31 Dec 2011 18:05:53 PST X-Mailer: YahooMailClassic/15.0.4 YahooMailWebService/0.8.115.331698 Message-ID: <1325383553.58368.YahooMailClassic@web160302.mail.bf1.yahoo.com> Date: Sat, 31 Dec 2011 18:05:53 -0800 (PST) From: Rich Young Subject: Re: [AE] HDR-esque technique for high-speed footage To: After Effects Mail List In-Reply-To: MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="-1663062914-1546612359-1325383553=:58368" ---1663062914-1546612359-1325383553=:58368 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable That would be a popular video tutorial, even as a short quick tip demo that= explained the why. Rich --- On Sat, 12/31/11, Chris Zwar wrote:I've experimen= ted with HDR photography a bit and you can't do a perfect HDR merge in Afte= r Effects using only plugins or transfer modes.=A0=20 But if your source footage has a very wide latitude, then you can use simpl= e layer stacks to recover shadows and highlights.=A0 In 32bit mode, stack y= our 3 layers on top of each other with the add transfer mode, and then use = an adjustment layer on top of them all to control exposure and recover high= lights.=A0=20 I've played around with combinations of 'exposure', ' HDR highlight compres= sion', 'HDR compander' and 'levels'.=A0 Depending on your footage you might= get a better result than a straight 8-bit pass, but render times are very = slow. ---1663062914-1546612359-1325383553=:58368 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable =
That would be a popular video tutorial, ev= en as a short quick tip demo that explained the why.

Rich

--- On Sat, 12/31/11, Chris Zwar <= ;chris@chriszwar.com> wrote:
I've experimented with HDR photography a bit and you c= an't do a perfect HDR merge in After Effects using only plugins or transfer= modes. 
But if your source footage has a very wide latitude, then= you can use simple layer stacks to recover shadows and highlights.  I= n 32bit mode, stack your 3 layers on top of each other with the add transfe= r mode, and then use an adjustment layer on top of them all to control expo= sure and recover highlights. 
I've played around with combinations= of 'exposure', ' HDR highlight compression', 'HDR compander' and 'levels'.=   Depending on your footage you might get a better result than a strai= ght 8-bit pass, but render times are very slow.
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