Mailing List AE-List@media-motion.tv ? Message #41562
From: Dave Bittner <dave@pixelworkshop.com>
Subject: Re: [AE] HDR-esque technique for high-speed footage
Date: Wed, 4 Jan 2012 09:26:52 -0500
To: After Effects Mail List <AE-List@media-motion.tv>

On Jan 3, 2012, at 2:20PM, Brendan Bolles wrote:

> On Dec 31, 2011, at 11:13 AM, Dave Bittner wrote:
>
>> I've got some footage from a Photron high speed camera that's presented an interesting challenge to me. The camera records a sequence of images that have a 48 bit depth, which is a large dynamic range. On export to QuickTime, however, you are forced choose a bracketed range of 8 bits. After multiple exports, I'm left with a movie that's underexposed, one that's properly exposed, and one that's overexposed. I want to combine then, HDR-style, to show the details in the highlights. (The footage is a series of explosions, so there's a lot going in the highlights.)
>
>
> This is interesting.  So when you say bracketed range, do you mean that you're only able to choose 1/6 of the histogram, or that you set your white point and it crams everything from black to that point into an 8-bit file?  The latter is essentially what you get from doing different exposures in a camera, the former would be unusual.

Yes, I'm only able to choose 1/6 of the histogram for export. It's strange, and not something I've ever run across.


 
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