Return-Path: Received: from spike.lmi.net ([66.117.140.17] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4580095 for AE-List@media-motion.tv; Wed, 04 Jan 2012 18:55:42 +0100 Received: from [192.168.1.132] (c-71-198-249-239.hsd1.ca.comcast.net [71.198.249.239]) by spike.lmi.net (Postfix) with ESMTP id 12FB2154232 for ; Wed, 4 Jan 2012 10:02:21 -0800 (PST) Content-Type: text/plain; charset=us-ascii Mime-Version: 1.0 (Apple Message framework v1084) Subject: Re: [AE] HDR-esque technique for high-speed footage From: Brendan Bolles In-Reply-To: Date: Wed, 4 Jan 2012 10:02:20 -0800 Content-Transfer-Encoding: quoted-printable Message-Id: <3177CB0D-F739-4BD1-BEF6-86333E0B5109@fnordware.com> References: To: "After Effects Mail List" X-Mailer: Apple Mail (2.1084) On Jan 4, 2012, at 6:26 AM, Dave Bittner wrote: > Yes, I'm only able to choose 1/6 of the histogram for export. It's = strange, and not something I've ever run across.=20 Weird. But then the process to merge them is actually pretty simple. Make a = 32-bit comp and just stack the histogram slices on top of each other = using Add mode. Then you can color correct the combined result to your = liking. The last question is the gamma. I would think that each movie was = getting a gamma correction after part of the histogram was isolated. In = this case, assign your comp a linear color space and AE should = automatically do the rest. Brendan