Return-Path: Received: from s427.sureserver.com ([64.14.74.47] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4580313 for AE-List@media-motion.tv; Thu, 05 Jan 2012 00:07:43 +0100 Received: (qmail 5757 invoked by uid 504); 4 Jan 2012 23:14:22 -0000 Received: from static-151-196-57-185.balt.east.verizon.net (HELO ?192.168.1.45?) (151.196.57.185) by s427.sureserver.com with SMTP; 4 Jan 2012 23:14:22 -0000 Content-Type: text/plain; charset=us-ascii Mime-Version: 1.0 (Apple Message framework v1251.1) Subject: Re: [AE] HDR-esque technique for high-speed footage From: Dave Bittner In-Reply-To: Date: Wed, 4 Jan 2012 18:14:22 -0500 Content-Transfer-Encoding: quoted-printable Message-Id: <74E26171-7AF6-4592-8CD3-0BB5A0D1FD75@pixelworkshop.com> References: To: "After Effects Mail List" X-Mailer: Apple Mail (2.1251.1) Thanks, Brendan. I appreciate you taking the time to help. On Jan 4, 2012, at 1:02PM, Brendan Bolles wrote: > On Jan 4, 2012, at 6:26 AM, Dave Bittner wrote: >=20 >> Yes, I'm only able to choose 1/6 of the histogram for export. It's = strange, and not something I've ever run across.=20 >=20 >=20 > Weird. >=20 > But then the process to merge them is actually pretty simple. Make a = 32-bit comp and just stack the histogram slices on top of each other = using Add mode. Then you can color correct the combined result to your = liking. >=20 > The last question is the gamma. I would think that each movie was = getting a gamma correction after part of the histogram was isolated. In = this case, assign your comp a linear color space and AE should = automatically do the rest. >=20 >=20 > Brendan >=20