Return-Path: Received: from mx2.foxtel.com.au ([203.18.237.62] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4587144 for AE-List@media-motion.tv; Fri, 13 Jan 2012 07:44:30 +0100 Received: from SYDEXH12.ent.foxtel.com.au ([10.12.1.26]) by mx2.foxtel.com.au (8.14.1/8.14.1) with ESMTP id q0D6pI0M030374 for ; Fri, 13 Jan 2012 17:51:18 +1100 Received: from MELEXS02.ent.foxtel.com.au (10.8.1.55) by SYDEXH12.ent.foxtel.com.au (10.12.1.26) with Microsoft SMTP Server (TLS) id 14.1.270.1; Fri, 13 Jan 2012 17:51:18 +1100 Received: from MELEXS01.ent.foxtel.com.au ([fe80::4f5:b790:16be:cce4]) by MELEXS02.ent.foxtel.com.au ([::1]) with mapi; Fri, 13 Jan 2012 17:51:18 +1100 From: "Patrick Taylor (MEL)" To: "'After Effects Mail List'" Date: Fri, 13 Jan 2012 17:51:16 +1100 Subject: RE: [AE] *** DESPERATELY SEEKING AE SCRIPTING GURU*** Bullet time arrangement of footage Thread-Topic: [AE] *** DESPERATELY SEEKING AE SCRIPTING GURU*** Bullet time arrangement of footage Thread-Index: AczRjc3bTviRiBxiQP6RPJeeC3jPhAAFtwjw Message-ID: <40E4884621CC5846B30A308D52F730F430FDC0541B@MELEXS01.ent.foxtel.com.au> References: In-Reply-To: Accept-Language: en-US Content-Language: en-US X-MS-Has-Attach: X-MS-TNEF-Correlator: acceptlanguage: en-US Content-Type: multipart/alternative; boundary="_000_40E4884621CC5846B30A308D52F730F430FDC0541BMELEXS01entfo_" MIME-Version: 1.0 --_000_40E4884621CC5846B30A308D52F730F430FDC0541BMELEXS01entfo_ Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Thanks heaps Phil and thanks to Dan too.. All I can say is D'oh!! It's simple! Don't you hate it when you over-think things... :) There is the second part to my dilemma though... As all the images are from different angles, the light and exposure is also= different from each camera. Is there a way to analyze the light (maybe based on the white) and then aut= omatically adjust the individual clips to have them meet at an average expo= sure? (in a script that is, or is there a plugin I am unaware of..) I have seen the HDRI plugin in AEsripts: http://aescripts.com/efx-hdri-comp/ It doesn seem to do what I am after but would that be of any help? Thanks in advance (again) Pat From: After Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of= Phil Spitler Sent: Friday, 13 January 2012 11:53 AM To: After Effects Mail List Subject: Re: [AE] *** DESPERATELY SEEKING AE SCRIPTING GURU*** Bullet time = arrangement of footage You might be able to do this another way without scripting. Line up your layers as you are doing now so that the clapper is at frame ze= ro. Go to Frame 0 and select all your layers then press alt and open bracket to= trim all the layers in points. then go to frame 5, select all layers and trim the out points using alt clo= se bracket. Select all you clips, right click and choose "keyframe assistants" then cho= ose "sequence layers". That should do exactly what you want in a matter of minutes. Hope this helps. Phil Phil Spitler | Associate Creative Director | Bonfire Labs | t : 415.= 394.8200 | c : 415.571.3139 | Bonfirelabs.com On Jan 12, 2012, at 4:40 PM, Patrick Taylor (MEL) wrote: Hi guys. I have a project that is needing a script in order to reduce hours of manua= l work time. I think it can be done but I am not talented in this area of = AE as many of you are. If someone is able to help me, I would be most appr= eciative. I have a small budget that I could afford to pay something if I c= an get this right. Here is the issue: I am bringing 50 clips into AE, lay them on the timeline lining up the matc= hing start point of each clip at 00:00:00:00 on the timeline by matching th= e clapper and then proceed to use time remap from the point I want the arc = to begin to work in 5 frame increments to: create a freeze frame: (time remap, mark keyframe, toggle hold keyframe), move forward 5 frames, trim the footage: ( Alt + close bracket ), move to next layer, I then repeat the process: freeze, move 5 frames,cut layer, move to next layer freeze, move 5 frames,cut layer, move to next layer freeze, move 5 frames,cut layer, move to next layer freeze, move 5 frames,cut layer, move to next layer freeze, move 5 frames,cut layer, move to next layer freeze, move 5 frames,cut layer, move to next layer and so on... this creates a low budget bullet time effect. I am using hot keys where I can but it is taking forever . This is a rig I= have built myself and I am learning every step of the way. I honestly think it could be scripted somehow... cant it? Basically, I see it as this: I manually load the footage in and lay it on the timeline. I manually slip the shots to match up at 00:00:00:00 by using a clapper I line up the time marker to where I want the arc to begin Run script Script does this: create a freeze frame moves forward 5 frames, trims the footage moves to next layer repeat process till all layers are trimmed and done. Also, there is slight exposure differences between cameras. Is there a way I can adjust them all at once to find a medium exposure over= all the shots in a script?? As I said before, this is not my area at all. If this is being way to pres= umptuous about AE's capabilities, please let me know. Any help would be greatly appreciated. Please email me at: PMTV@optusnet.com.au Thank you in advance Patrick Taylor This e-mail, and any attachment, is confidential. If you are not the intend= ed recipient, please delete it from your system, do not use or disclose the= information in any way, and notify the sender immediately. Any views expressed in this message are those of the individual sender and = may not be the views of FOXTEL, unless specifically stated. No warranty is = made that the e-mail or attachment (s) are free from computer viruses or ot= her defects. --_000_40E4884621CC5846B30A308D52F730F430FDC0541BMELEXS01entfo_ Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Thanks heaps Phil and thanks to Dan too..

<= p class=3DMsoNormal> 

All I can say is

= D’oh!!

 

It’s simple!  DonR= 17;t you hate it when you over-think things… J

 

 

There is the second part to my dilemma though…<= /p>

 

As all the images are from different angles, the light and expo= sure is also different from each camera.

Is there a way to analyze the light (maybe based on the whit= e) and then automatically adjust the individual clips to have them meet at = an average exposure? (in a script that is, or is there a plugin I am unawar= e of..)

 <= /span>

I have seen the HDRI plugin in AEsrip= ts:

http://aescripts.com/efx-hdri-comp/

 

It doesn seem to do what I am after but would that be = of any help?

 

Thanks in advance (again)<= /o:p>

 

Pat

 

From: After= Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of Phi= l Spitler
Sent: Friday, 13 January 2012 11:53 AM
To: Af= ter Effects Mail List
Subject: Re: [AE] *** DESPERATELY SEEKING A= E SCRIPTING GURU*** Bullet time arrangement of footage

 

You  might be able to do this another way without scripting.

 

Line up your layers as you are doing now so that the clapper is a= t frame zero.

 

Go to Frame 0 and select all your lay= ers then press alt and open bracket to trim all the layers in points.<= /o:p>

 

then go to frame 5, select all layers and trim the out p= oints using alt close bracket.

 

Select all you clips= , right click and choose "keyframe assistants" then choose "= sequence layers".

&= nbsp;

That should do exactly what = you want in a matter of minutes.

 

Hope this helps.

 

 

Phil

 

 

Phil Spitler |   Associate Creative Dire= ctor  |  Bonfire  Labs  |  t : 415.394.8200  = |  c : 415.571.3139  |  B= onfirelabs.com

 

On Jan 12, 2012, at 4:40 = PM, Patrick Taylor (MEL) wrote:


Hi guys. 

 

I have a project t= hat is needing a script in order to reduce hours of manual work time. = I think it can be done but I am not talented in this area of AE as many of= you are.  If someone is able to help me, I would be most appreciative= . I have a small budget that I could afford to pay something if I can get t= his right. 

 

Here is the issue:

 

I am bringing 50 clips into AE, lay them on the time= line lining up the matching start point of each clip at 00:00:00:00 on the = timeline by matching the clapper and then proceed to use time remap from th= e point I want the arc to begin to work in 5 frame increments to:

 

create a freeze frame: (time remap, mark k= eyframe, toggle hold keyframe),

move forward 5 frames, 

trim the footage: ( = ;Alt + close bracket = ;), 

move to next layer= , 

 

I then repeat the process:

<= span style=3D'font-size:10.0pt;font-family:"Helvetica","sans-serif";color:b= lack'>freeze, move 5 frames,cut layer, move to next layer <= o:p>

freeze, move 5 frames,cut layer, move to next layer 

= freeze, move 5 frames,cut layer, move to next layer <= /b>

freeze, move 5 frames,cut layer, move to next layer 

freeze, move 5 frames,cut layer, move to next layer 

freeze, move 5 frames,cut layer, move to next layer 

 

and so on…  this creates a low= budget bullet time effect.

 

<= div>

I am using hot k= eys where I can but it is taking forever .  This is a rig I have built= myself and I am learning every step of the way.

 <= o:p>

I honestly think it could be scripted somehow… cant it?

Basically, I see it as this:

 

=

I ma= nually load the footage in and lay it on the timeline.

I= manually slip the shots to match up at 00:00:00:00 by using a clapper

 

I line up the time marker to where I want= the arc to begin

Run script

 

Script does this:

create a freeze frame

= moves forward 5 frames, 

trims the footage

moves to next layer

<= p class=3DMsoNormal style=3D'background:white'>repeat process til= l all layers are trimmed and done.

 =

Also= , there is slight exposure differences between cameras.

Is ther= e a way I can adjust them all at once to find a medium exposure over all th= e shots in a script??

 

As I said before, this= is not my area at all.  If this is being way to presumptuous about AE= 's capabilities, please let me know.  

 <= /o:p>

= Any help would be greatly appreciated.  

Please email me a= t:

 

 

=

Thank you in advance=

 

Patrick Taylor

<= div>

 

This e-mail,= and any attachment, is confidential. If you are not the intended recipient= , please delete it from your system, do not use or disclose the information= in any way, and notify the sender immediately.
Any views expressed in t= his message are those of the individual sender and may not be the views of = FOXTEL, unless specifically stated. No warranty is made that the e-mail or = attachment (s) are free from computer viruses or other defects.

 

= --_000_40E4884621CC5846B30A308D52F730F430FDC0541BMELEXS01entfo_--