Return-Path: Received: from crisantiandco.com ([216.222.200.218] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4602469 for AE-List@media-motion.tv; Fri, 20 Jan 2012 20:52:25 +0100 Received: from [10.0.1.58] (adsl-75-2-249-221.dsl.chcgil.sbcglobal.net [75.2.249.221]) by crisantiandco.com (8.13.1/8.13.1) with ESMTP id q0KJvnnv016228 for ; Fri, 20 Jan 2012 14:57:51 -0500 X-Orig: adsl-75-2-249-221.dsl.chcgil.sbcglobal.net [75.2.249.221] X-Authentication-Warning: crisantiandco.com: crisanti owned process doing -bs Content-Type: text/plain; charset=windows-1252 Mime-Version: 1.0 (Apple Message framework v1084) Subject: Re: [AE] (OT) Academy of Motion Picture Arts and S "The Digital Dilemma 2" available for free download From: Paul Crisanti In-Reply-To: Date: Fri, 20 Jan 2012 13:56:34 -0600 Content-Transfer-Encoding: quoted-printable Message-Id: <2D56E153-CE5E-4D76-9E5E-9D10932B27BD@crisantiandco.com> References: To: "After Effects Mail List" X-Mailer: Apple Mail (2.1084) This looks great, I there a site where I can register? Thanks. ~p\ On Jan 20, 2012, at 1:38 PM, = wrote: > The Digital Dilemma 2: Perspectives from Independent Filmmakers, = Documentarians and Nonprofit Audiovisual Archives >=20 > The Digital Dilemma 2 focuses on the more acute challenges faced by = independent filmmakers, documentarians and nonprofit audiovisual = archives. While 75 percent of theatrically released motion pictures are = independently produced, these communities typically lack the resources, = personnel and funding to address sustainability issues that are = available to major Hollywood studios and other large, deep-pocketed = enterprises. Independent filmmakers create =96 and nonprofit film = archives collect and store =96 a sizeable part of moving image and sound = heritage. The Academy partnered with the Library of Congress's National = Digital Information Infrastructure and Preservation Program (NDIIPP) to = produce this new study with the conviction that these communities = shouldn't be allowed to fall through the cracks. >=20 > For this report, a cross-section of independent filmmakers, = distributors and marketers was interviewed and a broader online survey = of independent filmmakers was conducted. In addition, a representative = group of nonprofit audiovisual archives provided details on their = digital preservation activities, including information about the content = they receive as born digital files, their current practices for = digitally reformatting content for preservation, and their overall = digital infrastructure, policies and funding strategies. The report's = findings show an urgent need for these diverse and widely dispersed = individuals and organizations to address the digital dilemma before the = cultural heritage they represent is permanently lost. >=20 > You'll have to register your email to download the report, but it is = otherwise free. >=20 > Frank Wylie > Motion Picture Timer/Grader > Library of Congress > National Audio Visual Conservation Center > Packard Campus > Culpeper, VA >=20 > My views and opinions do not represent the official viewpoint of my = employer. >=20 >=20 >=20 >=20 >=20 > +---End of message---+ > To unsubscribe send any message to >=20