Return-Path: Received: from hrndva-omtalb.mail.rr.com ([71.74.56.122] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4602517 for AE-List@media-motion.tv; Fri, 20 Jan 2012 22:56:50 +0100 Return-Path: Authentication-Results: hrndva-omtalb.mail.rr.com smtp.user=sfwylie@woh.rr.com; auth=pass (LOGIN) X-Authority-Analysis: v=2.0 cv=HeuWv148 c=1 sm=0 a=bk_jgbfEb1sA:10 a=W_aBLDjQGwUA:10 a=IkcTkHD0fZMA:10 a=gmtNhq8EAAAA:8 a=yWjAYbpoAAAA:8 a=ayC55rCoAAAA:8 a=IpRvucFghHE48qhbCqIA:9 a=2SSslOqM9WWyLhqosjMA:7 a=QEXdDO2ut3YA:10 a=DF_NQqAM0MIA:10 a=4QVIqZyPq5VIvyK0:21 a=lLrs4wi0x8oNx94e:21 a=9DkviIGz5X+Ya1q+pzoOxQ==:117 X-Cloudmark-Score: 0 Received: from [10.128.132.104] ([10.128.132.104:63571] helo=hrndva-web13-z01) by hrndva-oedge04.mail.rr.com (envelope-from ) (ecelerity 2.2.3.46 r()) with ESMTPA id 72/AD-01703-B64E91F4; Fri, 20 Jan 2012 22:02:19 +0000 Message-ID: <20120120220219.6Y8JF.42402.root@hrndva-web13-z01> Date: Fri, 20 Jan 2012 17:02:19 -0500 From: To: After Effects Mail List Subject: Re: [AE] (OT) Academy of Motion Picture Arts and S "The Digital Dilemma 2" available for free download Cc: Paul Crisanti In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: quoted-printable X-Priority: 3 (Normal) Sensitivity: Normal X-Originating-IP: Sorry, its been a long day... http://www.oscars.org/science-technology/council/projects/digitaldilemma2/i= ndex.html ---- Paul Crisanti wrote:=20 > This looks great, I there a site where I can register? > Thanks. > ~p\ >=20 > On Jan 20, 2012, at 1:38 PM, wr= ote: >=20 > > The Digital Dilemma 2: Perspectives from Independent Filmmakers, Docum= entarians and Nonprofit Audiovisual Archives > >=20 > > The Digital Dilemma 2 focuses on the more acute challenges faced by ind= ependent filmmakers, documentarians and nonprofit audiovisual archives. Whi= le 75 percent of theatrically released motion pictures are independently pr= oduced, these communities typically lack the resources, personnel and fundi= ng to address sustainability issues that are available to major Hollywood s= tudios and other large, deep-pocketed enterprises. Independent filmmakers c= reate =E2=80=93 and nonprofit film archives collect and store =E2=80=93 a s= izeable part of moving image and sound heritage. The Academy partnered with= the Library of Congress's National Digital Information Infrastructure and = Preservation Program (NDIIPP) to produce this new study with the conviction= that these communities shouldn't be allowed to fall through the cracks. > >=20 > > For this report, a cross-section of independent filmmakers, distributor= s and marketers was interviewed and a broader online survey of independent = filmmakers was conducted. In addition, a representative group of nonprofit = audiovisual archives provided details on their digital preservation activit= ies, including information about the content they receive as born digital f= iles, their current practices for digitally reformatting content for preser= vation, and their overall digital infrastructure, policies and funding stra= tegies. The report's findings show an urgent need for these diverse and wid= ely dispersed individuals and organizations to address the digital dilemma = before the cultural heritage they represent is permanently lost. > >=20 > > You'll have to register your email to download the report, but it is ot= herwise free. > >=20 > > Frank Wylie > > Motion Picture Timer/Grader > > Library of Congress > > National Audio Visual Conservation Center > > Packard Campus > > Culpeper, VA > >=20 > > My views and opinions do not represent the official viewpoint of my emp= loyer. > >=20 > >=20 > >=20 > >=20 > >=20 > > +---End of message---+ > > To unsubscribe send any message to > >=20 >=20 >=20 > +---End of message---+ > To unsubscribe send any message to