Return-Path: Received: from eatspam.slcc.edu ([144.35.15.69] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4621280 for AE-List@media-motion.tv; Thu, 09 Feb 2012 14:57:37 +0100 X-ASG-Debug-ID: 1328796221-0439c312828980c0001-edO5QZ Received: from vCAS2.slcc.int (vcas2.slcc.int [10.1.11.53]) by eatspam.slcc.edu with ESMTP id kgCjmex4QA7XEZfe for ; Thu, 09 Feb 2012 07:03:41 -0700 (MST) X-Barracuda-Envelope-From: John.Morgan@slcc.edu Received: from EXCH.slcc.int ([127.0.0.1]) by vCAS2.slcc.int ([fe80::8031:551b:9a53:7716%11]) with mapi; Thu, 9 Feb 2012 07:03:41 -0700 From: John Morgan To: After Effects Mail List Date: Thu, 9 Feb 2012 07:03:40 -0700 Subject: RE: [AE] Love You Adobe Thread-Topic: [AE] Love You Adobe X-ASG-Orig-Subj: RE: [AE] Love You Adobe Thread-Index: Aczm3pBg+Zr/+6NkQlOCOV3kTXyZ0QAUr6Ow Message-ID: References: In-Reply-To: Accept-Language: en-US Content-Language: en-US X-MS-Has-Attach: X-MS-TNEF-Correlator: acceptlanguage: en-US Content-Type: multipart/alternative; boundary="_000_EAE675A223415848A14AA69EBCDE9D0A5913843D1BEXCHslccint_" MIME-Version: 1.0 X-Barracuda-Connect: vcas2.slcc.int[10.1.11.53] X-Barracuda-Start-Time: 1328796221 X-Barracuda-URL: http://eatspam.slcc.edu:8000/cgi-mod/mark.cgi X-Virus-Scanned: by bsmtpd at slcc.edu X-Barracuda-Spam-Score: 0.00 X-Barracuda-Spam-Status: No, SCORE=0.00 using global scores of TAG_LEVEL=1000.0 QUARANTINE_LEVEL=1000.0 KILL_LEVEL=6.0 tests=FRT_PRICE, HTML_MESSAGE X-Barracuda-Spam-Report: Code version 3.2, rules version 3.2.2.88061 Rule breakdown below pts rule name description ---- ---------------------- -------------------------------------------------- 0.00 FRT_PRICE BODY: ReplaceTags: Price 0.00 HTML_MESSAGE BODY: HTML included in message --_000_EAE675A223415848A14AA69EBCDE9D0A5913843D1BEXCHslccint_ Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable One caveat to this: on a real time (CUDA) system there rarely are any prev= iew render files. Most of my projects now, because of hardware capability, = never experience a need to render any part of the timeline until it's time = for export. Really speeds up the edit process, and opens the way for trying= various creative solutions without paying a render price. It's becoming apparent to me that not everyone has had opportunity to work = on such a system to see the benefit of real time timeline playback during t= he edit. Easy for us to quibble over all these sorts of details. All I can= say is that for me, when CS5 Premiere came to town, it was a life changing= experience. John From: After Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of= Karl Newman Sent: Wednesday, February 08, 2012 8:55 PM To: After Effects Mail List Subject: Re: [AE] Love You Adobe On Feb 8, 2012, at 2:39 PM, rendernyc wrote: can you quickly save out a sequence to a quicktime yet from Pr like you can= in FCP? or is rendering the whole thing out the only option? Depends on how you have Premier Pro set up? For things it needs to render y= ou can set the preview renders to be any codec you want. If you set the pre= view render to be the same as your output codec you can select " Use Previe= w Files" in the export dialog and the export takes about the same time as a= file copy in the end, except for anything you did not preview render. If y= ou chose the smaller bit-rate codec for previews then it has to render ever= ything for the final output. It just depends on where you want to spend the= time rendering. In short bursts during the edit, go with the final output = codec. At the end when you finished the edit, use the low bit-rate codec. Karl Newman Karl Newman Productions kwnewman@verizon.net This message, and any attachments, is intended only for the use of the addr= essee and may contain information that is privileged and confidential or ot= herwise exempt from disclosure under applicable law. If the reader of this= e-mail is not the intended recipient, you are hereby notified that any una= uthorized use, dissemination, distribution or reproduction of this message = is prohibited. If you have received this communication in error, please no= tify the sender by return e-mail and delete this e-mail and any attachments= from your system.= --_000_EAE675A223415848A14AA69EBCDE9D0A5913843D1BEXCHslccint_ Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

One cavea= t to this:  on a real time (CUDA) system there rarely are any preview = render files. Most of my projects now, because of hardware capability, neve= r experience a need to render any part of the timeline until it’s tim= e for export. Really speeds up the edit process, and opens the way for tryi= ng various creative solutions without paying a render price.

 

It’s becoming apparent to me that not everyone has ha= d opportunity to work on such a system to see the benefit of real time time= line playback during the edit. Easy for us to quibble over all these sorts = of details.  All I can say is that for me, when CS5 Premiere came to t= own, it was a life changing experience.

 

John=

 <= /p>

From: After Effects Mail List [mailto:A= E-List@media-motion.tv] On Behalf Of Karl Newman
Sent: Wed= nesday, February 08, 2012 8:55 PM
To: After Effects Mail List
= Subject: Re: [AE] Love You Adobe

 

On F= eb 8, 2012, at 2:39 PM, rendernyc wrote:



can you quickly save out a sequence to a quicktime yet from Pr like you c= an in FCP?=

or is rendering the whole thing out the only optio= n?

 <= /p>

Depends on how you have Premier Pro set up? Fo= r things it needs to render you can set the preview renders to be any codec= you want. If you set the preview render to be the same as your output code= c you can select " Use Preview Files" in the export dialog and th= e export takes about the same time as a file copy in the end, except for an= ything you did not preview render. If you chose the smaller bit-rate codec = for previews then it has to render everything for the final output. It just= depends on where you want to spend the time rendering. In short bursts dur= ing the edit, go with the final output codec. At the end when you finished = the edit, use the low bit-rate codec.

 

Karl Newman

Karl Newman Productions

 

<= p class=3DMsoNormal>kwnewman= @verizon.net

 



 =


This message, and any attachments, is intended only for the u= se of the addressee and may contain information that is privileged and conf= idential or otherwise exempt from disclosure under applicable law. If the = reader of this e-mail is not the intended recipient, you are hereby notifie= d that any unauthorized use, dissemination, distribution or reproduction of= this message is prohibited. If you have received this communication in er= ror, please notify the sender by return e-mail and delete this e-mail and a= ny attachments from your system.  ­­  = --_000_EAE675A223415848A14AA69EBCDE9D0A5913843D1BEXCHslccint_--