Return-Path: Received: from mout.perfora.net ([74.208.4.195] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4625971 for AE-List@media-motion.tv; Tue, 14 Feb 2012 18:06:15 +0100 Received: from mbp-17.westell.com (50-50-213-224.waus.wi.frontiernet.net [50.50.213.224]) by mrelay.perfora.net (node=mrus2) with ESMTP (Nemesis) id 0MHGpv-1RjteK43Pv-00DZvF; Tue, 14 Feb 2012 12:12:29 -0500 Content-Type: text/plain; charset=us-ascii Mime-Version: 1.0 (Apple Message framework v1257) Subject: Re: [AE] fluorescent flicker in video From: Steve Oakley In-Reply-To: Date: Tue, 14 Feb 2012 11:12:27 -0600 Content-Transfer-Encoding: quoted-printable Message-Id: <7D2982CF-1955-4A81-99BD-E8AFB2A1788A@practicali.com> References: To: "After Effects Mail List" X-Mailer: Apple Mail (2.1257) X-Provags-ID: V02:K0:KLrnpl+zBMhtdT8IF6WfBW2ApzDB3If7+YGhN7+vH6Y ECNlDYpTwYqOpn9zIitWScPs9vtapHQNMVwSR5LmJ40GeSAfMp sydhEI8vNh6gtmI5gvJjBDJdoZkUElaj9VonHCNaV8zxwG9Pj5 Nmf/FPcqg5xq5NBroEzd4XHlSA6v3QgLwlEtTYlwHQ6grlj+BH /HcHJGvSQBJp2hqqWA045nVCdhRzjHP6dgRCJCsVgFWPIc/wjD Enmj8m6mZh2FLL0Q1RiIxIc2zB8udaXybCS1Cr6uSR9SdMfFPd uaUrY6VZyVAnWFv824cpu71GLbD7YgB0ttvBQfq/CvbqfZ1SVY PjYfzRz+aqBo7VRw+UTOUABhNhiIsZoxHT2SjlgEjP2hF31ngg lL4WpmxHPzAbg== generally speaking, slower is better, but most cameras won't shoot at a = shutter speed equal or very close to the FPS rate... some do. 1/25th = won't work at 29.97 but some cameras will do slow shutters. ok for = static B roll, but probably not good for most shots. ya at 1/100th you certainly risk getting phased at the dark side of the = light pulse ( that sounded SOOOO trekie :) ) but you can flip the camera = on / off or change the shutter up down to try to get to a better spot in = the cycle. 1/50th is generally the best place, but sometimes 1/100th = works better. just have to try it and see. s On Feb 14, 2012, at 10:58 AM, Jim Curtis wrote: > I think you went the wrong way, Steve. An exposure of 1/25 of a = second would guarantee up to two full cycles, whereas 1/100 could fall = in between every other cycle and produce darkness, presuming a square = wave light source that's on for 1/25 of a second, and off for 1/25 with = no lag. Right? >=20 >=20 > On Feb 14, 2012, at 10:43 AM, Steve Oakley wrote: >=20 >> you need to shutter the camera at 1/50th or 1/100th in PAL / 50.000hz = line frequency countries when shooting 23.976 / 24/ 29.97/30 >>=20 >=20 > +---End of message---+ > To unsubscribe send any message to