Return-Path: Received: from mail-qw0-f48.google.com ([209.85.216.48] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4628250 for AE-List@media-motion.tv; Thu, 16 Feb 2012 18:12:09 +0100 Received: by qauh8 with SMTP id h8so2577231qau.7 for ; Thu, 16 Feb 2012 09:18:26 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=gamma; h=subject:references:from:content-type:x-mailer:in-reply-to :message-id:date:to:content-transfer-encoding:mime-version; bh=yZXIS+q15WvJypAOr97UfpXL4uXUXhw4f4Rhn7Yyquk=; b=s2/VL7/MKqmhsUEKb8D8qLJ1UcL0EgleR+8EYi4DqeMZVUYETfjPwgfZIstHZcB5me a5BXlZF3Z1JXJ5x1Vgwe43vl+PEQrRgNGtoxqtelYntz2a354v+ptL+89Ru9Fp3pPR0T KYv2viTwA3DCrlJEmtKalIW3hny1hNBsvkSGQ= Received: by 10.229.136.65 with SMTP id q1mr2254947qct.42.1329412706858; Thu, 16 Feb 2012 09:18:26 -0800 (PST) Return-Path: Received: from [97.60.135.153] (153.sub-97-60-135.myvzw.com. [97.60.135.153]) by mx.google.com with ESMTPS id g3sm19059709qap.2.2012.02.16.09.18.25 (version=TLSv1/SSLv3 cipher=OTHER); Thu, 16 Feb 2012 09:18:26 -0800 (PST) Subject: Re: [AE] flex tutorials References: From: Rendernyc Content-Type: multipart/alternative; boundary=Apple-Mail-D2F2A4AD-3F09-427D-B005-E0CA381A4D98 X-Mailer: iPhone Mail (9A405) In-Reply-To: Message-Id: <03840F63-4F30-449C-BAEB-83589B03B9E6@gmail.com> Date: Thu, 16 Feb 2012 12:18:21 -0500 To: After Effects Mail List Content-Transfer-Encoding: 7bit Mime-Version: 1.0 (1.0) --Apple-Mail-D2F2A4AD-3F09-427D-B005-E0CA381A4D98 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=us-ascii Ive used flex as well It was particularly helpful on a project shot on multiple cameras to create a= huge video wall. Used flex to get the talent across the seams from camera t= o camera seamlessly On Feb 16, 2012, at 11:08 AM, Jack Tunnicliffe wrote: > Thanks for the tips, Robert. Haven't had chance to jump into this today bu= t will keep these points in mind when I do.=20 >=20 > Jack Tunnicliffe > Java Post Production > www.javapost.ca >=20 >=20 >=20 > On Feb 16, 2012, at 5:07 AM, Robert Kjettrup wrote: >=20 >> Hi Jack >>=20 >> i have done several fixes like you describe with Re:Flex and it is a very= useful plugin. Try to use the automatic alignment feature that will help yo= u when morphing between features that look alike, like the same person, and s= ave you from doing too many splines. Re:Flex also has the ability to blend t= he different splines at different speed, and that can really help to make th= e transition more organic looking. >>=20 >> just a few tips :-) >>=20 >>=20 >>=20 >> Robert Kjettrup / Grafiker / STV Mayday >> Mobil: 25 18 95 16 >> Mail: robert@stvmayday.dk >>=20 >>=20 >>=20 >=20 --Apple-Mail-D2F2A4AD-3F09-427D-B005-E0CA381A4D98 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8
Ive used flex as well

It was particularly helpful on a project shot on multip= le cameras to create a huge video wall. Used flex to get the talent across t= he seams from camera to camera seamlessly



O= n Feb 16, 2012, at 11:08 AM, Jack Tunnicliffe <jack@javapost.ca> wrote:

Thanks for the tips, Robert. Haven't had chance to jump= into this today but will keep these points in mind when I do. 

Jack Tunnicliffe
Java Post Production
www.javapost.ca



On Feb 16, 2012, at 5:07 AM, Robert Kjettrup wrote:

Hi Jack
i have done several fixes like you describe with Re:Flex and it i= s a very useful plugin. Try to use the automatic alignment feature that will= help you when morphing between features that look alike, like the same= person, and save you from doing too many splines. Re:Flex also has the abil= ity to blend the different splines at different speed, and that can really h= elp to make the transition more organic looking.

just a few tips :-)


<= div>
Robert Kjettrup / Grafiker / STV Mayday
Mobil: 25 1= 8 95 16
Mail: robert@stvmayday.dk<= /a>




= --Apple-Mail-D2F2A4AD-3F09-427D-B005-E0CA381A4D98--