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| This may work, but not in front of a timeline to test. Put comp markers on each cut point in your pre comp, drag to a new timeline so that your markers show up, then cut your pre comp into chunks at the marks and apply the time warp to each piece. That way it is stopping at the cut, and starting again on a fresh clip. Maybe use zorro to detect all the cuts and then slice the comp up and add the time warp effect to each piece. Just a thought. On 2012.Feb.24, at 10.02, sean cusson wrote: > I've run into this before and have never been sure if there was a way around it. I have a comp with more than 40 clips on the timeline. I pre-comped it and then applied the Timewarp effect (using Pixel Motion). It looks beautiful until the effect hits an edit point (cut) and "smears" for a few frames until it gets past the edit. I know that Timewarp is trying to blend the edit but messes up when the pixels completely change from one frame to the next. I was wondering if there was a setting that would tell Timewarp to ignore edit points? > > Sean Cusson > > +---End of message---+ > To unsubscribe send any message to <ae-list-off@media-motion.tv> -- <ericwood> Helium14 | www.helium14.com Design | Motion + Graphic www.helium14.com 'the next best thing to knowing something, is knowing where to find it' |
