Return-Path: Received: from oproxy8-pub.bluehost.com ([69.89.22.20] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with SMTP id 4654337 for AE-List@media-motion.tv; Tue, 13 Mar 2012 21:47:40 +0100 Received: (qmail 30520 invoked by uid 0); 13 Mar 2012 20:54:47 -0000 Received: from unknown (HELO box473.bluehost.com) (74.220.219.73) by oproxy8.bluehost.com with SMTP; 13 Mar 2012 20:54:47 -0000 DKIM-Signature: v=1; a=rsa-sha256; q=dns/txt; c=relaxed/relaxed; d=helium14.com; s=default; h=Mime-Version:Content-Transfer-Encoding:To:Date:Message-Id:In-Reply-To:Content-Type:From:References:Subject; bh=a4xB9wye9XKHlG3Q29nogsopY4Gr/beNzxs/WgDAXzQ=; b=qirbQwclQgcLKKuV3+AvPnOYvsHAbhS3Ygk8JO2s+TD7g44C5vhTcix3lt8Yo+Jm4FAnfAOumWilSKGVkdhV26QGLgi2P9USd2qJet5e1O3FZUhNC+86u1ZKAeVMPx/R; Received: from cm-84.208.176.252.getinternet.no ([84.208.176.252] helo=[192.168.1.121]) by box473.bluehost.com with esmtpsa (TLSv1:AES128-SHA:128) (Exim 4.76) (envelope-from ) id 1S7Yk2-00033u-92 for AE-List@media-motion.tv; Tue, 13 Mar 2012 14:54:46 -0600 Subject: Re: [AE] Driving me nuts References: From: Eric James Wood Content-Type: multipart/alternative; boundary=Apple-Mail-B9746E26-6FE8-4A96-AADB-950AD84C7044 X-Mailer: iPad Mail (9B176) In-Reply-To: Message-Id: Date: Tue, 13 Mar 2012 21:54:49 +0100 To: After Effects Mail List Content-Transfer-Encoding: 7bit Mime-Version: 1.0 (1.0) X-Identified-User: {1790:box473.bluehost.com:heliumon:helium14.com} {sentby:smtp auth 84.208.176.252 authed with list@helium14.com} --Apple-Mail-B9746E26-6FE8-4A96-AADB-950AD84C7044 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 Adobe media encoder with WMv codec Sent from my iPad On Mar 13, 2012, at 19:32, Jonathan Penzner wrote: > Hi, Eric, >=20 > I can see that method working well, but in this project the precomps (and t= here a lot of them) overlap each other quite a bit. That's why the main comp= s are so long. And when I go from one main to the next main comp, I have the= end of the previous comp at the top of the next one to keep the flow going.= Anyway, rendered 124 pieces over five hours last night. Now to check them o= ut. >=20 > And shifting gears a bit, any suggestions for batching 124 MOVs into WMVs?= >=20 > Many thanks, >=20 > Jonathan >=20 >=20 > On Mar 13, 2012, at 3:05 AM, Eric James Wood wrote: >=20 >> Not sure of the way your files are built, and this probably won't work si= nce it sounds like your using a lot of layers across different portions, but= could you make pre comps of the bits you want in each part and then drag al= l the pre comps over to the render que? >>=20 >> On 2012.Mar.13, at 10.15, Jonathan Penzner wrote: >>=20 >>> Still works that way in 5.5. >>>=20 >>> What is so tedious is creating the work area, then having to make a cust= om selection. I'm breaking down about one hundred clips out of maybe 12 comp= s. Making sure I select the Custom option each time is a real pain. It would= be so much easier if I could select a piece of the clip and have it stick w= ithout going through the extra 4 clicks =E2=80=93 that is when I remember to= do it. Cause if I forget, and I do sometimes, it's a really big pain to go b= ack and figure out what I screwed up. >=20 >=20 >=20 >=20 >=20 > JONATHAN PENZNER > SUNDANCE/REALTIME > VIDEO EDITING =E2=80=A2 MOTION GRAPHICS =E2=80=A2 DESIGN >=20 > | STUDIO 626 345-0285 | > | CELL 818 321-2890 | >=20 > SUREAL@CHARTER.NET >=20 --Apple-Mail-B9746E26-6FE8-4A96-AADB-950AD84C7044 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8
Adobe media encoder with W= Mv codec

Sent from my iPad

On Mar 13, 2012, at 19:32, J= onathan Penzner <sureal@charter.net= > wrote:

= Hi, Eric,

I can see that method working well, but i= n this project the precomps (and there a lot of them) overlap each other qui= te a bit. That's why the main comps are so long. And when I go from one main= to the next main comp, I have the end of the previous comp at the top of th= e next one to keep the flow going. Anyway, rendered 124 pieces over five hou= rs last night. Now to check them out.

And shifting g= ears a bit, any suggestions for batching 124 MOVs into WMVs?

<= /div>
Many thanks,

Jonathan


On Mar 13, 2012, at 3:05 AM, Eric James Wood wrote:

Not sure o= f the way your files are built, and this probably won't work since it sounds= like your using a lot of layers across different portions, but could you ma= ke pre comps of the bits you want in each part and then drag all the pre com= ps over to the render que?

On 2012.Mar.13, at 10.15, Jonathan Penzner= wrote:

Still works that way in 5.5.

What is so tedious is creating the work area, then having to make a custo= m selection. I'm breaking down about one hundred clips out of maybe 12 comps= . Making sure I select the Custom option each time is a real pain. It would b= e so much easier if I could select a piece of the clip and have it stick wit= hout going through the extra 4 clicks =E2=80=93 that is when I remember to d= o it. Cause if I forget, and I do sometimes, it's a really big pain to go ba= ck and figure out what I screwed up.




<= span class=3D"Apple-style-span" style=3D"font-size: 11px; ">JONATHAN PENZNER=
SUNDANCE/REALTIME<= /font>
VIDEO EDITING =E2=80=A2 MOTION GRAPHICS =E2=80=A2 DESIGN

| STUDIO = <= font class=3D"Apple-style-span" face=3D"'Century Gothic'">626 345-0285 |
|<= font class=3D"Apple-style-span" face=3D"'Century Gothic'"> CELL 818 321-2890 |

= --Apple-Mail-B9746E26-6FE8-4A96-AADB-950AD84C7044--