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| Hi Chris, Your best best is to import the footage into AE and interpret the source footage to remove the pulldown and work in a 24p AE comp. mocha has the ability to remove the pulldown on import, but since you are probably compositing in AE, I would use AE's pulldown removal and actually render a progressive QT to send to mocha. Then in mocha work in the same 24 fps progressive mode. Once you have the sold track or roto data back in your AE comp, you can render your final AE comp with pull-down and fields re-inserted. In general, for trouble shooting and to keep things clean, I always prefer to remove the pulldown and work on frame based material before re-introducing the pulldown. Last note: if you have done any re-timing in FCP, you will want to go back to the original footage to get a clean pulldown removal. Hope this helps. -Ross On 15 March 2012 11:35, Chris Wolfe <cmattwolfe@gmail.com> wrote: I have an ongoing issue tracking 1080i ftg with pulldown on it (via a filter in FCP) that I need to track, roto/treat, and return to FCP with pull down on it. I have tried a variety of methods but cannot seem to nail down a work flow between FCP, Mocha and AE that works well. Does anyone have a workflow that works for them here? -- Ross Shain Chief Marketing Officer Imagineer Systems - developers of mocha planar tracking and visual effects tools. www.imagineersystems.com Phone: +1.646.298.6458 | Fax: 646.808.0831 | Email: rosss@imagineersystems.com Find us online: Facebook | Vimeo | Imagineer Forums | Imagineer Blog |
