Return-Path: Received: from fep13.mx.upcmail.net ([62.179.121.33] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4666002 for ae-list@media-motion.tv; Sun, 25 Mar 2012 11:46:09 +0200 Received: from edge01.upcmail.net ([192.168.13.236]) by viefep13-int.chello.at (InterMail vM.8.01.05.04 201-2260-151-105-20111014) with ESMTP id <20120325094619.DZPV3333.viefep13-int.chello.at@edge01.upcmail.net> for ; Sun, 25 Mar 2012 11:46:19 +0200 Received: from 4corePC ([62.195.84.90]) by edge01.upcmail.net with edge id plmK1i0041wwDTS01lmKKi; Sun, 25 Mar 2012 11:46:19 +0200 X-SourceIP: 62.195.84.90 From: "lsslss" To: "'After Effects Mail List'" References: In-Reply-To: Subject: RE: [AE] Using AE to match historic & contemporary stills Date: Sun, 25 Mar 2012 11:46:05 +0200 Message-ID: <008401cd0a6c$196c8320$4c458960$@nl> MIME-Version: 1.0 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable X-Mailer: Microsoft Office Outlook 12.0 Thread-Index: Ac0KHNFF9JbzKct8RnKrXyuNFMTMJgATvGjw Content-Language: nl You might wanna turn on the continuous rasterization switches for the = Precomped layers. this makes sure the 3d layers, in their perspective (pre)comps are still = 3d in the main comp. Met vriendelijke groet/kind regards, Marcel van Berk LSSLSS Rotterdam 06 485 605 58 info@lsslss.nl www.lsslss.nl =20 -----Oorspronkelijk bericht----- Van: After Effects Mail List [mailto:AE-List@media-motion.tv] Namens = mpo@michaeloreilly.com Verzonden: zondag 25 maart 2012 1:18 Aan: After Effects Mail List Onderwerp: [AE] Using AE to match historic & contemporary stills=20 I have two stills - one is a snapshot of a mural painted on the wall of = an apartment building 50 years ago by a famous artist. The other still is of that same mural, now removed, conserved and = installed in a museum and professionally photographed. I am trying to match the two so that I may dissolve between them to show = the change that has happened. I can get them close but when I put them in another comp and make any = kind of change in scale or position, the close match is lost. I have a basic understanding of the 2.5D that is in AE, but even less of = an understanding for how cameras and lights fit in to the whole scheme = of things. My brain is so tired I can't even figure out the right terms to use to = search. Is there something simple I am missing ? Can anyone point me to a decent resource or plug in that could help ? or = the best way to build this ? So long as it will help, I'm willing to = pay. Thanks mikeo AE 5.5/PS CS5.1/10.5.8/Intel +---End of message---+ To unsubscribe send any message to