Return-Path: Received: from oproxy1-pub.bluehost.com ([66.147.249.253] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with SMTP id 4666363 for AE-List@media-motion.tv; Mon, 26 Mar 2012 02:47:57 +0200 Received: (qmail 24679 invoked by uid 0); 26 Mar 2012 00:48:08 -0000 Received: from unknown (HELO box586.bluehost.com) (66.147.242.186) by oproxy1.bluehost.com with SMTP; 26 Mar 2012 00:48:08 -0000 DKIM-Signature: v=1; a=rsa-sha256; q=dns/txt; c=relaxed/relaxed; d=dunbardigital.com; s=default; h=References:Date:Subject:Mime-Version:Content-Type:In-Reply-To:To:From:Message-Id; bh=v/58o7TtGEJJlkea0kojHGiybTOmd5Sy3HBmEn74VgI=; b=nU6e0ARqsWh/AvSHzNPb4XOgFB4MSucLITfvYRoP1j4DSBLz7Negijk3mxtk23E+/HEq7dkDfwA6oS4R+SfPYdgwDFolaYvVCD9Kr1Rx9fM9GZ/AqMo150ZI5ljk3Qds; Received: from pool-96-251-99-254.lsanca.dsl-w.verizon.net ([96.251.99.254] helo=[10.0.0.10]) by box586.bluehost.com with esmtpa (Exim 4.76) (envelope-from ) id 1SBy6Q-0007IU-0o for AE-List@media-motion.tv; Sun, 25 Mar 2012 18:48:06 -0600 Message-Id: <65E03AE2-2033-4526-907B-1276DC0CCE35@dunbardigital.com> From: Dennis Dunbar To: "After Effects Mail List" In-Reply-To: Content-Type: multipart/alternative; boundary=Apple-Mail-20-80882960 Mime-Version: 1.0 (Apple Message framework v936) Subject: Re: Using AE to match historic & contemporary stills Date: Sun, 25 Mar 2012 17:48:04 -0700 References: X-Mailer: Apple Mail (2.936) X-Identified-User: {1434:box586.bluehost.com:dunbardi:dunbardigital.com} {sentby:smtp auth 96.251.99.254 authed with dennis@dunbardigital.com} --Apple-Mail-20-80882960 Content-Type: text/plain; charset=US-ASCII; format=flowed; delsp=yes Content-Transfer-Encoding: 7bit Mikeo, Might I suggest lining them up in Photoshop and then bringing the layers into After Effects to animate the transition? Photoshop's tools really shine at this sort of thing and you'd be using each program's strengths. Just a thought.... Dennis Dunbar Blog: http://www.dunbardigital.com/blog/blog.php Website: http://www.dunbardigital.com Twitter: http://twitter.com/DennisDunbar On Mar 25, 2012, at 3:00 PM, After Effects Mail List wrote: > Message-ID: <76f2340147019442a9520b7a4fc9f676.squirrel@box692.bluehost.com > > > Date: Sat, 24 Mar 2012 18:18:27 -0600 > Subject: Using AE to match historic & contemporary stills > From: mpo@michaeloreilly.com > > I have two stills - one is a snapshot of a mural painted on the wall > of an > apartment building 50 years ago by a famous artist. > The other still is of that same mural, now removed, conserved and > installed in a museum and professionally photographed. > > I am trying to match the two so that I may dissolve between them to > show > the change that has happened. > > I can get them close but when I put them in another comp and make > any kind > of change in scale or position, the close match is lost. --Apple-Mail-20-80882960 Content-Type: text/html; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Mikeo,

Might = I suggest lining them up in Photoshop and then bringing the layers into = After Effects to animate the = transition?

Photoshop's tools really shine at = this sort of thing and you'd be using each program's = strengths.

Just a = thought....


On = Mar 25, 2012, at 3:00 PM, After Effects Mail List wrote:

Message-ID: = <76f2340147019442a9520b7a4fc9f676.squirrel@box692.bluehost.com><= br>Date: Sat, 24 Mar 2012 18:18:27 -0600
Subject: Using AE to match = historic & contemporary stills 
From: mpo@michaeloreilly.com

I= have two stills - one is a snapshot of a mural painted on the wall of = an
apartment building 50 years ago by a famous artist.
The other = still is of that same mural, now removed, conserved and
installed in = a museum and professionally photographed.

I am trying to match = the two so that I may dissolve between them to show
the change that = has happened.

I can get them close but when I put them in another = comp and make any kind
of change in scale or position, the close = match is lost.

= --Apple-Mail-20-80882960--