Return-Path: Received: from eatspam.slcc.edu ([144.35.15.69] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4669565 for AE-List@media-motion.tv; Wed, 28 Mar 2012 23:24:27 +0200 X-ASG-Debug-ID: 1332969882-0437c61283e0d990001-edO5QZ Received: from vCAS1.slcc.int (vcas1.slcc.int [10.1.11.52]) by eatspam.slcc.edu with ESMTP id k0qngQ3hz7FxDTu9 for ; Wed, 28 Mar 2012 15:24:42 -0600 (MDT) X-Barracuda-Envelope-From: John.Morgan@slcc.edu Received: from EXCH.slcc.int ([127.0.0.1]) by vCAS1.slcc.int ([fe80::5023:faf7:26da:d5bf%11]) with mapi; Wed, 28 Mar 2012 15:23:26 -0600 From: John Morgan To: After Effects Mail List Date: Wed, 28 Mar 2012 15:23:26 -0600 Subject: RE: [AE] 24fps workflow Thread-Topic: [AE] 24fps workflow X-ASG-Orig-Subj: RE: [AE] 24fps workflow Thread-Index: Ac0NEmPGRtsPTXAPRHeKtVmnb09CkwAFi9AA Message-ID: References: In-Reply-To: Accept-Language: en-US Content-Language: en-US X-MS-Has-Attach: X-MS-TNEF-Correlator: acceptlanguage: en-US Content-Type: multipart/alternative; boundary="_000_EAE675A223415848A14AA69EBCDE9D0A5A663610BDEXCHslccint_" MIME-Version: 1.0 X-Barracuda-Connect: vcas1.slcc.int[10.1.11.52] X-Barracuda-Start-Time: 1332969882 X-Barracuda-URL: http://eatspam.slcc.edu:8000/cgi-mod/mark.cgi X-Virus-Scanned: by bsmtpd at slcc.edu X-Barracuda-Spam-Score: 0.00 X-Barracuda-Spam-Status: No, SCORE=0.00 using global scores of TAG_LEVEL=1000.0 QUARANTINE_LEVEL=1000.0 KILL_LEVEL=6.0 tests=HTML_MESSAGE X-Barracuda-Spam-Report: Code version 3.2, rules version 3.2.2.92526 Rule breakdown below pts rule name description ---- ---------------------- -------------------------------------------------- 0.00 HTML_MESSAGE BODY: HTML included in message --_000_EAE675A223415848A14AA69EBCDE9D0A5A663610BDEXCHslccint_ Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable I work with all 720p 23.98, exclusively, all the time in my shop. Shoot, ed= it, distribute. In-house college marketing/video situation. Rarely do I de= liver for broadcast, but the few times I have it's been no problem 24p is g= reat. Web, and software players is my main distribution. John From: After Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of= Brian Higgins Sent: Wednesday, March 28, 2012 12:43 PM To: After Effects Mail List Subject: Re: [AE] 24fps workflow 23.976 is amazing if you're dealing with progressive footage. If most of y= our footage is legitimately interlaced (ie different info on every field, n= ot just 23.976 with 3:2 pulldown), then you should stick with 29.97. If yo= u can easily get back to progressive land, it's really, really great. Note= that you'll want to work at 23.976 and not 24 unless you're going to film. -b On Wed, Mar 28, 2012 at 1:37 PM, McCray, Micheal > wrote: Experts, Our facility has a video standard of 1080i, 29.97fps. Sometimes we receive footage shot at 23.98 and/or 29.97, edit at 29.97, create graphics at 29.97 and output for broadcast at 29.97. We have recently have been doing more work for international markets, and had someone create some NTSC as well as PAL Blu-Ray discs for us. We were given an outside recommendation to receive all footage at 24, edit at 24, and create graphics at 24, to be versatile for 29.97 and 25fps standards. Does anyone currently work like this and/or has anyone made a recent transition to this workflow. Are there any other considerations in switching over other than just setting our projects at 24? I appreciate any insight or suggestions. Thanks, Micheal McCray +---End of message---+ To unsubscribe send any message to > -- brian higgins | senior vfx artist Sol Design 312.706.5500 higgins@soldesignfx.com soldesignfx.com This message, and any attachments, is intended only for the use of the addr= essee and may contain information that is privileged and confidential or ot= herwise exempt from disclosure under applicable law. If the reader of this= e-mail is not the intended recipient, you are hereby notified that any una= uthorized use, dissemination, distribution or reproduction of this message = is prohibited. If you have received this communication in error, please no= tify the sender by return e-mail and delete this e-mail and any attachments= from your system.= --_000_EAE675A223415848A14AA69EBCDE9D0A5A663610BDEXCHslccint_ Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

I work wi= th all 720p 23.98, exclusively, all the time in my shop. Shoot, edit, distr= ibute.  In-house college marketing/video situation. Rarely do I delive= r for broadcast, but the few times I have it’s been no problem 24p is= great. Web, and software players is my main distribution.

 

 

John=

 <= /p>

From: After Effects Mail List [mailto:AE-List@media-m= otion.tv] On Behalf Of Brian Higgins
Sent: Wednesday, Marc= h 28, 2012 12:43 PM
To: After Effects Mail List
Subject: Re: [AE] 24fps workflow

&n= bsp;

23.976 is= amazing if you're dealing with progressive footage.  If most of your = footage is legitimately interlaced (ie different info on every field, not j= ust 23.976 with 3:2 pulldown), then you should stick with 29.97.  If y= ou can easily get back to progressive land, it's really, really great. = ; Note that you'll want to work at 23.976 and not 24 unless you're going to= film.

-b

On Wed, Mar 28, 20= 12 at 1:37 PM, McCray, Micheal <MMcCray@scrippsnetworks.com> wrote:

Experts,

Our facility has a video standard of 1080i, 29.97= fps. Sometimes we receive
footage shot at 23.98 and/or 29.97, edit at 29= .97, create graphics at
29.97 and output for broadcast at 29.97. We have= recently have been doing
more work for international markets, and had s= omeone create some NTSC as
well as PAL Blu-Ray discs for us.

We w= ere given an outside recommendation to receive all footage at 24, edit
a= t 24, and create graphics at 24, to be versatile for 29.97 and 25fps
sta= ndards.

Does anyone currently work like this and/or has anyone made = a recent
transition to this workflow. Are there any other considerations= in
switching over other than just setting our projects at 24? I appreci= ate
any insight or suggestions.

Thanks,
Micheal McCray

=
+---End of message---+
To unsubscribe send any message to <ae-list-off@media-motion.tv>= ;




-- =

brian higgins | senio= r vfx artist

Sol  Design

312.706.5500 

 

 


This message, and any attac= hments, is intended only for the use of the addressee and may contain infor= mation that is privileged and confidential or otherwise exempt from disclos= ure under applicable law. If the reader of this e-mail is not the intended= recipient, you are hereby notified that any unauthorized use, disseminatio= n, distribution or reproduction of this message is prohibited. If you have= received this communication in error, please notify the sender by return e= -mail and delete this e-mail and any attachments from your system. &nb= sp;­­  = --_000_EAE675A223415848A14AA69EBCDE9D0A5A663610BDEXCHslccint_--