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Subject: Re: [AE] 24fps workflow
From: Steve Oakley <steveo@practicali.com>
In-Reply-To: <list-4669426@media-motion.tv>
Date: Wed, 28 Mar 2012 17:08:25 -0500
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Message-Id: <B1033A61-8426-463A-BF78-1F56A590F3E0@practicali.com>
References: <list-4669426@media-motion.tv>
To: "After Effects Mail List" <AE-List@media-motion.tv>

almost all 24 here except legacy  / external material.  if you shoot 24, =
stay 24 thru post if you can. its easier to add 3:2 PD at the end if you =
have to. video hardware  matrox / BM / aja can add it on output if =
you're still making tape.

the only time you may want to edit 30 is when you have shots in 30i. =
placing them into a 24p TL generally isn't the best thing to do. placing =
24p into a 30i TL though means the NLE will add 3:2 on the fly if its =
doing The Right Thing=99.

S

On Mar 28, 2012, at 1:37 PM, McCray, Micheal wrote:

> Experts,
>=20
> Our facility has a video standard of 1080i, 29.97fps. Sometimes we =
receive
> footage shot at 23.98 and/or 29.97, edit at 29.97, create graphics at
> 29.97 and output for broadcast at 29.97. We have recently have been =
doing
> more work for international markets, and had someone create some NTSC =
as
> well as PAL Blu-Ray discs for us.
>=20
> We were given an outside recommendation to receive all footage at 24, =
edit
> at 24, and create graphics at 24, to be versatile for 29.97 and 25fps
> standards.