Return-Path: Received: from oproxy5-pub.bluehost.com ([67.222.38.55] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with SMTP id 4670920 for AE-List@media-motion.tv; Thu, 29 Mar 2012 17:57:36 +0200 Received: (qmail 13640 invoked by uid 0); 29 Mar 2012 15:57:54 -0000 Received: from unknown (HELO box473.bluehost.com) (74.220.219.73) by cpoproxy2.bluehost.com with SMTP; 29 Mar 2012 15:57:54 -0000 DKIM-Signature: v=1; a=rsa-sha256; q=dns/txt; c=relaxed/relaxed; d=helium14.com; s=default; h=To:References:Message-Id:Content-Transfer-Encoding:Date:In-Reply-To:From:Subject:Mime-Version:Content-Type; bh=0wEdAr/BRngnR6doe+rwBcHC5zwaOrrxqG8eOcB0mPI=; b=AJRplNoWSvRw7mQqW7isTlBv2CWkCpC4Cw/4mOM/JLDPYRaeQxtc5vKOKI3xhrNYP2hclemcW9tPSJhS/MxhXj2+u8iKPEchlqJaxSUkwjHUgDK3/uBXfJ7YhKP8HXag; Received: from [108.60.36.34] (helo=[192.168.2.2]) by box473.bluehost.com with esmtpsa (TLSv1:AES128-SHA:128) (Exim 4.76) (envelope-from ) id 1SDHjW-0002lL-5A for AE-List@media-motion.tv; Thu, 29 Mar 2012 09:57:54 -0600 Content-Type: text/plain; charset=iso-8859-1 Mime-Version: 1.0 (Apple Message framework v1257) Subject: Re: [AE] 24fps workflow From: Eric James Wood In-Reply-To: Date: Thu, 29 Mar 2012 08:57:55 -0700 Content-Transfer-Encoding: quoted-printable Message-Id: <3A3FDC64-171A-46F2-B49D-A496E8599E41@helium14.com> References: To: "After Effects Mail List" X-Mailer: Apple Mail (2.1257) X-Identified-User: {1790:box473.bluehost.com:heliumon:helium14.com} {sentby:smtp auth 108.60.36.34 authed with list@helium14.com} As someone else replied, you should really only be using true 24p if you = are going to film out. You could also use it if you know 100% in fact it = is ever going to be used on the web, but why bother? iI our place, if we = know we are not going to film(almost never), we do everything in 23.976. = Easy enough to get to 29.97 if we have to. That being said, i do get a lot of footage at 59.94 from go pro's and = canon dslr's. If there is not a ton of high speed stuff, i will drop = into a 23.976 timeline and if it looks good and no jutter, i go with it. = If i need to fix the jutters, i can mark all the frames where it jumps = and use frame restorer on it. Learned that trick from i think it was = steve o. on the list with some go pro footage. Please forgive me if it = wasn't steve, and maybe jack t. On 2012.03.29, at 08.18, Byron Nash wrote: > We work a lot in 23.976 all the way from capture to master. We make = 29.97i copies for delivery to stations. Once or twice we tried 24p and = had trouble getting the shots to play back from FCP through the AJA or = Blackmagic cards. It seems to view stuff in a suite it needs to be = 23.976, 29.97, or 59.94 (for NTSC places that is).=20 --=20 Helium14 | www.helium14.com Design | Motion + Graphic www.helium14.com 'the next best thing to knowing something, is knowing where to find it'