Return-Path: Received: from mail-pz0-f54.google.com ([209.85.210.54] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4687275 for AE-List@media-motion.tv; Mon, 16 Apr 2012 18:58:16 +0200 Received: by dady13 with SMTP id y13so9900623dad.27 for ; Mon, 16 Apr 2012 09:59:06 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=message-id:date:from:user-agent:mime-version:to:subject:references :in-reply-to:content-type; bh=XJAUd4hkAVX/d9X3HEQ+T/HhGJkvggEhBij09zaSkgc=; b=fI+hun4d/F51ZNXOIA0eKMjrADybDKrfvgVpnZfC5XSXjuKCE1E60972X/AKgZMAAm XoCydCnfCu+4JwWA6rqtx8EC8gVCdLpJj6xkLWTBVVDqCz9tfmQUxYt1gCihFAN5TZ74 s/Zg10X515vhv/NywqlwE4IU2IgGV2F56Wj36nM+9khuS/ewlC8R97/hFf9Nfo3V80AK JlQwWVhlDaxIYEblUD2vXABgJvsqgGGZolAecVaUjl/OP+hEuMrCz/ygoobEHjy6dOAA e/pVDV/Uj6o6G24M3V42qixIk1/ZgPIdO8NEBNMS7ntkGrzjU93nhxGjdFEI7kDtyIiP e9eA== Received: by 10.68.225.169 with SMTP id rl9mr28718363pbc.122.1334595546736; Mon, 16 Apr 2012 09:59:06 -0700 (PDT) Return-Path: Received: from [192.168.10.100] (c-98-246-188-32.hsd1.or.comcast.net. [98.246.188.32]) by mx.google.com with ESMTPS id b10sm18156330pbr.46.2012.04.16.09.59.05 (version=SSLv3 cipher=OTHER); Mon, 16 Apr 2012 09:59:05 -0700 (PDT) Message-ID: <4F8C4FD6.2000901@gmail.com> Date: Mon, 16 Apr 2012 09:59:02 -0700 From: Robert Houghton User-Agent: Mozilla/5.0 (Windows NT 6.1; WOW64; rv:11.0) Gecko/20120327 Thunderbird/11.0.1 MIME-Version: 1.0 To: After Effects Mail List Subject: Re: [AE] AE CS7 Feature Requests References: In-Reply-To: Content-Type: multipart/alternative; boundary="------------080803000705030505000701" This is a multi-part message in MIME format. --------------080803000705030505000701 Content-Type: text/plain; charset=UTF-8; format=flowed Content-Transfer-Encoding: 7bit That would be nice, it would be tough to get around in though potentially if it has an insane amount of cascading options. Now if you could right click on a comp, tell it to target a certain layer/composition inside it regardless of how many precomps are in-between it and you and then open the controls for that layer/comp, now that would be something. -Rob ------------------- Robert Houghton Houghton Media Motion Graphics, Compositing, Animation www.houghtonmedia.com On 4/16/2012 9:48 AM, pixelbot@comcast.net wrote: > No I really want to stay in the same time-line and have all the > benefits of a precomp > > timt > > ------------------------------------------------------------------------ > *From: *"Robert Houghton" > > I wonder if there's a script that will let you "quick tweak" a precomp > by expanding it fully and then quickly contracting that same precomp > with a keystroke when done. That really is what it sounds like to me > what you guys want. > > -Rob --------------080803000705030505000701 Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: 8bit That would be nice, it would be tough to get around in though potentially if it has an insane amount of cascading options. Now if you could right click on a comp, tell it to target a certain layer/composition inside it regardless of how many precomps are in-between it and you and then open the controls for that layer/comp, now that would be something.

-Rob

-------------------
Robert Houghton
Houghton Media
Motion Graphics, Compositing, Animation
www.houghtonmedia.com

On 4/16/2012 9:48 AM, pixelbot@comcast.net wrote:

No I really want to stay in the same time-line and have all the benefits of a precomp

timt

From: "Robert Houghton" <gfxguy74@gmail.com>

I wonder if there's a script that will let you "quick tweak" a precomp by expanding it fully and then quickly contracting that same precomp with a keystroke when done. That really is what it sounds like to me what you guys want.

-Rob

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