Return-Path: Received: from qmta13.emeryville.ca.mail.comcast.net ([76.96.27.243] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4687330 for ae-list@media-motion.tv; Mon, 16 Apr 2012 19:20:54 +0200 Received: from omta11.emeryville.ca.mail.comcast.net ([76.96.30.36]) by qmta13.emeryville.ca.mail.comcast.net with comcast id yhL81i0020mlR8UADhMbub; Mon, 16 Apr 2012 17:21:35 +0000 Received: from sz0119.ev.mail.comcast.net ([76.96.26.181]) by omta11.emeryville.ca.mail.comcast.net with comcast id yhMb1i00k3uShJ48XhMb33; Mon, 16 Apr 2012 17:21:35 +0000 Date: Mon, 16 Apr 2012 17:21:35 +0000 (UTC) From: pixelbot@comcast.net To: After Effects Mail List Message-ID: <1731221397.1695424.1334596895266.JavaMail.root@sz0119a.emeryville.ca.mail.comcast.net> In-Reply-To: Subject: Re: [AE] AE CS7 Feature Requests MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_1695423_650007071.1334596895161" X-Originating-IP: [66.193.40.138] X-Mailer: Zimbra 6.0.13_GA_2944 (ZimbraWebClient - SAF3 (Mac)/6.0.13_GA_2944) ------=_Part_1695423_650007071.1334596895161 Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: 7bit or maybe there is another altogether different implementation that we haven't thought off like an second timeline that opens under the current time line - keeping both the current time line and current comp open and allowing you to work in the preComp without ever leaving the main comp. If only there was some piece of software I could use to illustrate what I am saying ;-) Timt ----- Original Message ----- From: "Robert Houghton" That would be nice, it would be tough to get around in though potentially if it has an insane amount of cascading options. Now if you could right click on a comp, tell it to target a certain layer/composition inside it regardless of how many precomps are in-between it and you and then open the controls for that layer/comp, now that would be something. -Rob ------=_Part_1695423_650007071.1334596895161 Content-Type: text/html; charset=utf-8 Content-Transfer-Encoding: 7bit

or maybe there is another altogether different implementation that we haven't thought off like an second timeline that opens under the current time line - keeping both the current time line and current comp open and allowing you to work in the preComp without ever leaving the main comp. If only there was some piece of software I could use to illustrate what I am saying ;-)

Timt

From: "Robert Houghton" <gfxguy74@gmail.com>

That would be nice, it would be tough to get around in though potentially if it has an insane amount of cascading options. Now if you could right click on a comp, tell it to target a certain layer/composition inside it regardless of how many precomps are in-between it and you and then open the controls for that layer/comp, now that would be something.

-Rob

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