Return-Path: Received: from mail-vx0-f169.google.com ([209.85.220.169] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4694452 for AE-List@media-motion.tv; Tue, 24 Apr 2012 01:50:14 +0200 Received: by vcbfy7 with SMTP id fy7so83942vcb.28 for ; Mon, 23 Apr 2012 16:51:19 -0700 (PDT) X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=google.com; s=20120113; h=from:mime-version:content-type:subject:date:in-reply-to:to :references:message-id:x-mailer:x-gm-message-state; bh=/fOCofbhjYWc5Lx6vzE6jG1LD23GEwdHgtg8W7pYIRo=; b=IOlXlC/9uRBeWRaG47mbTFrWomjAyPvW+InRQLtI7kmTqDSK5BuO1kdR5Zd7aIQKDH Ev4HVjKlNO8EK8XuqoUkOUpwbUyKanmp/+q329sUr7gINpbIgiKw7Dx68ZDPpvPGMtKR 45xOvo0ekkS31x190uqMN0+x8mY/HTOSLBPyTKLViDnXNFw8MalVIDtXqblcDJ9B1zty VbKASzelH6dqWalc5iiIC33KYx/MhMOle6Pz68YH1pDNavlCdGChkil0srMDXDivdKbD 0cE9+XvuzpbIa/yMfLdOgaKZ6mB9sNWUGt2MMlYUNN1ZwAC9BpQ9QMOpdAQDr/jbhUdz OE2w== Received: by 10.52.94.146 with SMTP id dc18mr7279450vdb.19.1335225079168; Mon, 23 Apr 2012 16:51:19 -0700 (PDT) Return-Path: Received: from [10.0.0.132] ([65.223.58.66]) by mx.google.com with ESMTPS id t10sm28292973vdg.19.2012.04.23.16.51.17 (version=TLSv1/SSLv3 cipher=OTHER); Mon, 23 Apr 2012 16:51:17 -0700 (PDT) From: Phil Spitler Mime-Version: 1.0 (Apple Message framework v1084) Content-Type: multipart/alternative; boundary=Apple-Mail-15-435590279 Subject: Re: [AE] OT: RED workflow Date: Mon, 23 Apr 2012 16:51:15 -0700 In-Reply-To: To: "After Effects Mail List" References: Message-Id: <3BD80F41-2A12-41F8-90B7-A3F6B7344341@bonfirelabs.com> X-Mailer: Apple Mail (2.1084) X-Gm-Message-State: ALoCoQktZzyZSDEPrRIX0KkgsshGsLSNlhJlWKDhuGdSZIRuduA7qbTowKLUVQgtYBG3AaSRroxF --Apple-Mail-15-435590279 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=us-ascii This is all great info, thanks. Chris, I was planning on doing the same method as you did by doing all = CC first before we comp, as that is what bit me last week. Phil Phil Spitler | Associate Creative Director | Bonfire Labs | t : = 415.394.8200 | c : 415.571.3139 | Bonfirelabs.com On Apr 23, 2012, at 4:23 PM, Jack Tunnicliffe wrote: > Tim, I pull all my vizfx Red footage directly into AE. I really like = how AE handles Red. For series colour correction I like Resolve for its = real time capabilities. I don't think we'll see Redcolor 3 for awhile in = AE, though.=20 >=20 > Jack Tunnicliffe > Java Post Production > www.javapost.ca >=20 >=20 >=20 > On Apr 23, 2012, at 5:19 PM, Tim Sassoon wrote: >=20 >> The Red Rocket apparently produces a lower grade of de-mosaic than = software Best. I still prefer using Redcine (or AE) to make DPX's with a = consistent color temperature, and then go from there using whatever. It = might be a bit of a chickensh*t approach, but you won't get into trouble = at the end. >>=20 >>=20 >> Tim Sassoon >> SFD >> Santa Monica, CA >>=20 >>=20 >>=20 >> On Apr 23, 2012, at 4:04 PM, Phil Spitler wrote: >>=20 >>> I'm wondering what tools people are using with Red these days.=20 >>>=20 >>> We recently did a project and decided to do all our Red color = correction in our Smoke suite.=20 >>>=20 >>> We ended up with a huge bottle neck so now I'm looking into = alternatives that would allow use to use our Mac workstations to color = correct or Red projects. >>>=20 >>> Does Resolve on the Mac work well with Red footage? How about FCP / = Color? >>>=20 >>> Would it help workflow if we had Red Rocket in some of our boxes? >>>=20 >>> Any thoughts? >>>=20 >>> Thanks.=20 >>>=20 >>> Phil >>>=20 >>>=20 >>> Phil Spitler >>> www.bonfirelabs.com >>>=20 >>>=20 >>>=20 >>> +---End of message---+ >>> To unsubscribe send any message to >>=20 >=20 --Apple-Mail-15-435590279 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=us-ascii This = is all great info, thanks.

Chris, I was planning on = doing the same method as you did by doing all CC first before we comp, = as that is what bit me last = week.

Phil


Phil Spitler |   Associate = Creative Director  |  Bonfire  Labs  |  t : = 415.394.8200  |  c : 415.571.3139  |  Bonfirelabs.com

On Apr 23, 2012, at 4:23 PM, Jack Tunnicliffe = wrote:

Tim, I pull all my vizfx = Red footage directly into AE. I really like how AE handles Red. For = series colour correction I like Resolve for its real time capabilities. = I don't think we'll see Redcolor 3 for awhile in AE, = though. 

Jack Tunnicliffe
Java Post Production
www.javapost.ca



On Apr 23, 2012, at 5:19 PM, Tim Sassoon wrote:

The Red Rocket apparently = produces a lower grade of de-mosaic than software Best. I still prefer = using Redcine (or AE) to make DPX's with a consistent color temperature, = and then go from there using whatever. It might be a bit of a = chickensh*t approach, but you won't get into trouble at the = end.


Tim = Sassoon
SFD
Santa Monica, = CA



On Apr 23, 2012, at 4:04 PM, Phil Spitler wrote:

I'm = wondering what tools people are using with Red these days.

We = recently did a project and decided to do all our Red color correction in = our Smoke suite.

We ended up with a huge bottle neck so now I'm = looking into alternatives that would allow use to use our Mac = workstations to color correct or Red projects.

Does Resolve on = the Mac work well with Red footage? How about FCP / Color?

Would = it help workflow if we had Red Rocket in some of our boxes?

Any = thoughts?

Thanks.

Phil


Phil Spitler
www.bonfirelabs.com


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