| This is all great info, thanks.
Chris, I was planning on doing the same method as you did by doing all CC first before we comp, as that is what bit me last week.
Phil
Phil Spitler | Associate Creative Director | Bonfire Labs | t : 415.394.8200 | c : 415.571.3139 | Bonfirelabs.com
On Apr 23, 2012, at 4:23 PM, Jack Tunnicliffe wrote: Tim, I pull all my vizfx Red footage directly into AE. I really like how AE handles Red. For series colour correction I like Resolve for its real time capabilities. I don't think we'll see Redcolor 3 for awhile in AE, though.
On Apr 23, 2012, at 5:19 PM, Tim Sassoon wrote: The Red Rocket apparently produces a lower grade of de-mosaic than software Best. I still prefer using Redcine (or AE) to make DPX's with a consistent color temperature, and then go from there using whatever. It might be a bit of a chickensh*t approach, but you won't get into trouble at the end.
Tim Sassoon SFD Santa Monica, CA
On Apr 23, 2012, at 4:04 PM, Phil Spitler wrote: I'm wondering what tools people are using with Red these days. We recently did a project and decided to do all our Red color correction in our Smoke suite. We ended up with a huge bottle neck so now I'm looking into alternatives that would allow use to use our Mac workstations to color correct or Red projects. Does Resolve on the Mac work well with Red footage? How about FCP / Color? Would it help workflow if we had Red Rocket in some of our boxes? Any thoughts? Thanks. Phil Phil Spitler www.bonfirelabs.com+---End of message---+ To unsubscribe send any message to < ae-list-off@media-motion.tv>
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