Return-Path: Received: from nova.lunarpages.com ([67.210.126.175] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4698719 for AE-List@media-motion.tv; Fri, 27 Apr 2012 21:20:16 +0200 Received: from 70.91.57.77-busname-panjde.hfc.comcastbusiness.net ([70.91.57.77] helo=[10.1.10.61]) by nova.lunarpages.com with esmtpa (Exim 4.69) (envelope-from ) id 1SNqjQ-0004nH-Aw for AE-List@media-motion.tv; Fri, 27 Apr 2012 12:21:28 -0700 From: James WIlson Mime-Version: 1.0 (Apple Message framework v1084) Content-Type: multipart/alternative; boundary=Apple-Mail-6-765000422 Subject: Re: [AE] AE and Premiere brilliance! Date: Fri, 27 Apr 2012 15:21:25 -0400 In-Reply-To: To: "After Effects Mail List" References: Message-Id: X-Mailer: Apple Mail (2.1084) X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - nova.lunarpages.com X-AntiAbuse: Original Domain - media-motion.tv X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - jwmm.com --Apple-Mail-6-765000422 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=windows-1252 I'd also add that PP disappeared from Mac early in its existence (was on = Avid at the time) then hadn't come back until a few year back. By then = FCP was the choice for most Mac people if they weren't using Avid. The real clincher for me was the exclusion of Color from the FCP Studio = and the inclusion of SpeedGrade. Without those it was Color Finesse for = me and I always found that too awkward =96 not sure why though. On Apr 27, 2012, at 2:12 PM, Robert Kjettrup wrote: > I know that you can copy/paste clips from the premiere timeline to a = AE comp and most things translate perfect, but i didn't know that it = worked the other way as well, even clips in precomps came over intact. > For how many years have this "little" feature existed and i didn't = know about it? :-) >=20 > An editor wanted an xml/aaf of a commercial i onlined in AE for = further tweaks requested from the client. But since AE can't export that = i thought about trying to copy/paste to Premiere and was not expecting = it to work, but to my surprise it just worked brilliantly...=20 >=20 > just a little tip to those of you who, like me, didn't know this.... = thanks Adobe. >=20 >=20 > Robert Kjettrup / Grafiker / STV Mayday > Mobil: 25 18 95 16 > Mail: robert@stvmayday.dk --Apple-Mail-6-765000422 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=windows-1252 I'd = also add that PP disappeared from Mac early in its existence (was on = Avid at the time) then hadn't come back until a few year back. By then = FCP was the choice for most Mac people if they weren't using = Avid.

The real clincher for me was the exclusion of = Color from the FCP Studio and the inclusion of SpeedGrade. Without those = it was Color Finesse for me and I always found that too awkward =96 not = sure why though.


On Apr 27, 2012, = at 2:12 PM, Robert Kjettrup wrote:

I = know that you can copy/paste clips from the premiere timeline to a AE = comp and most things translate perfect, but i didn't know that it worked = the other way as well, even clips in precomps came over intact.
For how many years have this "little" feature existed and i didn't = know about it?  :-)

An editor wanted = an xml/aaf of a commercial i onlined in AE for further tweaks requested = from the client. But since AE can't export that i thought about trying = to copy/paste to Premiere and was not expecting it to work, but to my = surprise it just worked brilliantly... 

just a little tip to those of you who, like me, = didn't know this.... thanks = Adobe.


Robert Kjettrup / Grafiker / = STV Mayday
Mobil: 25 18 95 16
Mail: robert@stvmayday.dk

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