Return-Path: Received: from mail-vb0-f41.google.com ([209.85.212.41] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4722923 for AE-List@media-motion.tv; Wed, 23 May 2012 18:49:21 +0200 Received: by vbbey12 with SMTP id ey12so5240217vbb.28 for ; Wed, 23 May 2012 09:51:22 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; bh=tQRZzX5MfRfbGgD8PzVDecNQ6SuJFwqNSyECtQ32Ako=; b=lCfKkQrBPXyu2FblB7yppTlL/+Xv5d7O9QscRXkE/hD5mAAtSw7hlO0U0UeVOV3Z7b Wi2H5SlpZrouIGA0Kd/AU4iQJZQEFm7fg6NWYrSteZjZlD/JK8TnTGqwbRM7Hf79L22T m9gAn6b5yoK+EsCMyFtcYEHRelkwlV0OxwSgKu7+dQfGuKSlP4MtJ8NAMs5GkM3YWfjw T4aw3VqbA9yvcuWVKfhsfEG1SBC6eN+VrKvepQ7Bg2LJcL5fdaz9amkzn+wphY28V828 o3mHMJAwwnjaUVnPXr77NxkxWqH0Fe+k2ElvUtDgPPYLX8gTs8ldDS7oT7GvK/NOvCrC FY9A== MIME-Version: 1.0 Received: by 10.220.226.68 with SMTP id iv4mr3392217vcb.21.1337791882477; Wed, 23 May 2012 09:51:22 -0700 (PDT) Received: by 10.52.28.106 with HTTP; Wed, 23 May 2012 09:51:22 -0700 (PDT) In-Reply-To: References: Date: Wed, 23 May 2012 09:51:22 -0700 Message-ID: Subject: Re: [AE] OT: Premiere Pro poor TIFF support From: Daniel Ramirez To: After Effects Mail List , stephen@sv2studios.com Content-Type: multipart/alternative; boundary=14dae9cdc8cbf0412004c0b6f1f6 --14dae9cdc8cbf0412004c0b6f1f6 Content-Type: text/plain; charset=windows-1252 Content-Transfer-Encoding: quoted-printable Could you email a single tiff to aebugs @ adobe.com and I'll make sure to file a PR bug. On Wed, May 23, 2012 at 9:12 AM, Stephen van Vuuren wrote: > I continually find very poor support for TIFF format in Premiere Pro > puzzling =96 which leads me back to using AE for lots of tasks. Anyone kn= ow > why Premiere Pro has such poor support for TIFF files? In fact, it can=92= t > read the 16-bit TIFF files it renders =96 not to mention lack of setting > options on the export for LZW etc. Currently having to use AE to convert > them to PSD sequence for Premiere to read its own export.**** > > ** ** > > For a supposed high-end tool, it=92s very odd.**** > > ** ** > > *stephen van vuuren* > > 336.202.4777**** > > * * > > *http://www.sv2dcp.com/* > > *http://www.sv2studios.com/* > > *http://www.outsideinthemovie.com/* > > * * > > *A film is =96 or should be =96 more like music than like fiction. It sho= uld > be a progression of moods and feelings. The theme, what=92s behind the > emotion, the meaning, all that comes later.* > > =96*Stanley Kubrick***** > --14dae9cdc8cbf0412004c0b6f1f6 Content-Type: text/html; charset=windows-1252 Content-Transfer-Encoding: quoted-printable Could you email a single tiff to aebugs @ adob= e.com and I'll make sure to file a PR bug.

On Wed, May 23, 2012 at 9:12 AM, Stephen van Vuuren <stephe= n@sv2studios.com> wrote:

I continually= find very poor support for TIFF format in Premiere Pro puzzling =96 which = leads me back to using AE for lots of tasks. Anyone know why Premiere Pro h= as such poor support for TIFF files? In fact, it can=92t read the 16-bit TI= FF files it renders =96 not to mention lack of setting options on the expor= t for LZW etc. Currently having to use AE to convert them to PSD sequence f= or Premiere to read its own export.

=A0<= /p>

For a supposed high-en= d tool, it=92s very odd.

=A0<= /p>

stephen van vu= uren

336.202.4777=

=A0

http://w= ww.sv2dcp.com/

http://www.= sv2studios.com/

http= ://www.outsideinthemovie.com/

=A0

A film is = =96 or should be =96 more like music than like fiction. It should be a prog= ression of moods and feelings. The theme, what=92s behind the emotion, the = meaning, all that comes later.

=96Stanley Kubrick=


--14dae9cdc8cbf0412004c0b6f1f6--