From: Todd Kopriva <kopriva@adobe.com>
To: After Effects Mail List <AE-List@media-motion.tv>
Date: Wed, 23 May 2012 15:10:51 -0700
Subject: RE: [AE] OT: Premiere Pro poor TIFF support
Thread-Topic: [AE] OT: Premiere Pro poor TIFF support
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Message-ID: <3087C3EE109D634A82116DB24F8B48450C9DD809@nambx09.corp.adobe.com>
References: <list-4722896@media-motion.tv>
In-Reply-To: <list-4722896@media-motion.tv>
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Please submit a feature request for Premiere Pro to be able to import 16-bp=
c TIFF files.
http://www.adobe.com/go/wish

________________________________________
From: After Effects Mail List [AE-List@media-motion.tv] On Behalf Of Stephe=
n van Vuuren [stephen@sv2studios.com]
Sent: Wednesday, May 23, 2012 9:12 AM
To: After Effects Mail List
Subject: [AE] OT: Premiere Pro poor TIFF support

I continually find very poor support for TIFF format in Premiere Pro puzzli=
ng =96 which leads me back to using AE for lots of tasks. Anyone know why P=
remiere Pro has such poor support for TIFF files? In fact, it can=92t read =
the 16-bit TIFF files it renders =96 not to mention lack of setting options=
 on the export for LZW etc. Currently having to use AE to convert them to P=
SD sequence for Premiere to read its own export.

For a supposed high-end tool, it=92s very odd.

stephen van vuuren
336.202.4777

http://www.sv2dcp.com/
http://www.sv2studios.com/
http://www.outsideinthemovie.com/

A film is =96 or should be =96 more like music than like fiction. It should=
 be a progression of moods and feelings. The theme, what=92s behind the emo=
tion, the meaning, all that comes later.
=96Stanley Kubrick