Return-Path: Received: from [208.97.132.145] (HELO homiemail-a38.g.dreamhost.com) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4730687 for AE-List@media-motion.tv; Thu, 31 May 2012 20:16:46 +0200 Received: from homiemail-a38.g.dreamhost.com (localhost [127.0.0.1]) by homiemail-a38.g.dreamhost.com (Postfix) with ESMTP id 2689410AFBE for ; Thu, 31 May 2012 11:19:03 -0700 (PDT) DomainKey-Signature: a=rsa-sha1; c=nofws; d=influxx.com; h=mime-version:to :message-id:content-type:from:subject:date; q=dns; s=influxx.com ; b=MysCH9segn4Wk23oTpxnHxO6dUk6vWN9YakNm8BQYYvXdWKE4y5lQA0Cf1wg wVqgXqxdknZ6DyoqLBxftMXUQBoquVfu4gNIjoBSU20BhAW3bNMVma3Hf9xJOhpx rEJo1m/MhzUUYNkBf7wIrexL2hHIQ44XgGLPHY5Nzj9x9xM= DKIM-Signature: v=1; a=rsa-sha1; c=relaxed; d=influxx.com; h= mime-version:to:message-id:content-type:from:subject:date; s= influxx.com; bh=puJ5IcDJ4cTgAj6fit25ZMnd6f4=; b=XWewlw6GAJrhS9yP vg0u1LoNWWKI4eb4u26WmguxfDKJ16dirHxXIKUjtzEdy3apOeS/CMV0XnDmxrNf 40VNN2G4RSyyuDHTmFQT6ON0eOY7E+JKJcVaZm41fubls2BZe3mUw/mhu86Vpo8z XY/R07o7vCxzqzOr4RwvsZ6NZlY= Received: from [192.168.1.71] (76-206-254-56.lightspeed.irvnca.sbcglobal.net [76.206.254.56]) (Authenticated sender: adam@influxx.com) by homiemail-a38.g.dreamhost.com (Postfix) with ESMTPA id EBF8910AFBD for ; Thu, 31 May 2012 11:19:02 -0700 (PDT) Mime-Version: 1.0 (Apple Message framework v753.1) To: After Effects After Effects Mail List Message-Id: <45AC8396-6415-4E57-B020-D4326DD0AC25@influxx.com> Content-Type: multipart/alternative; boundary=Apple-Mail-8--596115035 From: adam mercado Subject: [OT] Working with still sequences Date: Thu, 31 May 2012 11:18:57 -0700 X-Mailer: Apple Mail (2.753.1) --Apple-Mail-8--596115035 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=ISO-8859-1; delsp=yes; format=flowed I have a 14 minute sequence exported as a TIFF sequence. Trying to =20 compile this with the mastered audio and working with the still =20 sequence is very very slow. Importing into QuickTime, FinalCut or =20 Premier causes hugely excessive lag times as the program processes =20 every frame. Is there a way to optimise this process short of exporting a =20 flattened QuickTime movie and deleting the TIFF framed afterwards, =20 which would seem a little redundant after all. Adam Mercado Influxx Media Production Fullerton, CA Moving Images. For Business 714=B0928=B09896 http://www.influxx.com http://www.twitter.com/influxx http://www.linkedin.com/in/influxx http://influxx.tumblr.com/archive http://www.flickr.com/photos/influxx --Apple-Mail-8--596115035 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=ISO-8859-1 I have a 14 minute sequence exported as a TIFF sequence. Trying to = compile this with the mastered audio and working with the still sequence = is very very slow. Importing into QuickTime, FinalCut or Premier causes = hugely excessive lag times as the program processes every = frame.

Is there a way to optimise this process short = of exporting a flattened QuickTime movie and deleting the TIFF framed = afterwards, which would seem a little redundant after all.

=
Adam = Mercado
Influxx Media Production
Fullerton, = CA

Moving = Images. For Business
714=B0928=B09896




 =

= --Apple-Mail-8--596115035--