Return-Path: Received: from imr-mb02.mx.aol.com ([64.12.207.163] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4730787 for AE-List@media-motion.tv; Thu, 31 May 2012 21:36:12 +0200 Received: from mtaout-db03.r1000.mx.aol.com (mtaout-db03.r1000.mx.aol.com [172.29.51.195]) by imr-mb02.mx.aol.com (8.14.1/8.14.1) with ESMTP id q4VJcMdj003782 for ; Thu, 31 May 2012 15:38:22 -0400 Received: from lunette.home (pool-108-23-214-125.lsanca.fios.verizon.net [108.23.214.125]) (using TLSv1 with cipher AES128-SHA (128/128 bits)) (No client certificate requested) by mtaout-db03.r1000.mx.aol.com (MUA/Third Party Client Interface) with ESMTPSA id 707CDE00008F; Thu, 31 May 2012 15:38:21 -0400 (EDT) Subject: Re: [AE] [OT] Working with still sequences Mime-Version: 1.0 (Apple Message framework v1278) Content-Type: multipart/alternative; boundary="Apple-Mail=_E8D2F44E-FDF7-4D89-AEB6-A32FC1EA7ACC" From: Tim Sassoon In-Reply-To: Date: Thu, 31 May 2012 12:38:20 -0700 Cc: Tim Sassoon Message-Id: <9D3F981B-EEBB-405A-B054-9B67713D8FD0@aol.com> References: To: "After Effects Mail List" X-Mailer: Apple Mail (2.1278) x-aol-global-disposition: G DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=mx.aol.com; s=20110426; t=1338493101; bh=1GeXpyNQWKqtdNWZ+1Fa6tcoaO2DisGyVmOfACYLzTo=; h=From:To:Subject:Message-Id:Date:Mime-Version:Content-Type; b=rd7jL8HR3Lwiu/nsjYhSl5zlx78iII8Zj1Oi88vtMSKfJkJcYOV/x8NjnqQOC9eZX gHpqJ/e4BWRN/PmBEvCdsROI/546+PWIk9O0oa7o9RwXcBMOllG/WuUlWAmBzbrRna P6foclsolD2q1b6QUCTLiObC/UCZ8yfVXdkbaYco= X-AOL-SCOLL-SCORE: 0:2:371544256:93952408 X-AOL-SCOLL-URL_COUNT: 0 x-aol-sid: 3039ac1d33c34fc7c8ad6203 X-AOL-IP: 108.23.214.125 --Apple-Mail=_E8D2F44E-FDF7-4D89-AEB6-A32FC1EA7ACC Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=iso-8859-1 Make JPG proxies. Tim On May 31, 2012, at 11:18 AM, adam mercado wrote: > I have a 14 minute sequence exported as a TIFF sequence. Trying to = compile this with the mastered audio and working with the still sequence = is very very slow. Importing into QuickTime, FinalCut or Premier causes = hugely excessive lag times as the program processes every frame. >=20 > Is there a way to optimise this process short of exporting a flattened = QuickTime movie and deleting the TIFF framed afterwards, which would = seem a little redundant after all. >=20 > Adam Mercado > Influxx Media Production > Fullerton, CA >=20 > Moving Images. For Business > 714=B0928=B09896 > http://www.influxx.com > http://www.twitter.com/influxx > http://www.linkedin.com/in/influxx > http://influxx.tumblr.com/archive > http://www.flickr.com/photos/influxx >=20 >=20 >=20 >=20 >=20 --Apple-Mail=_E8D2F44E-FDF7-4D89-AEB6-A32FC1EA7ACC Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=iso-8859-1 Make = JPG = proxies.

Tim


On = May 31, 2012, at 11:18 AM, adam mercado wrote:

I have a 14 minute sequence exported as a TIFF sequence. Trying to = compile this with the mastered audio and working with the still sequence = is very very slow. Importing into QuickTime, FinalCut or Premier causes = hugely excessive lag times as the program processes every = frame.

Is there a way to optimise this process short = of exporting a flattened QuickTime movie and deleting the TIFF framed = afterwards, which would seem a little redundant after all.

=
Adam = Mercado
Influxx Media Production
Fullerton, = CA

Moving = Images. For Business
714=B0928=B09896




=


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