Return-Path: Received: from [67.18.137.87] (HELO gateway15.websitewelcome.com) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4730956 for AE-List@media-motion.tv; Thu, 31 May 2012 23:37:01 +0200 Received: by gateway15.websitewelcome.com (Postfix, from userid 5007) id 3CE13755A0B91; Thu, 31 May 2012 15:53:32 -0500 (CDT) Received: from gator1184.hostgator.com (gator1184.hostgator.com [174.121.151.98]) by gateway15.websitewelcome.com (Postfix) with ESMTP id 52224755A0A9E for ; Thu, 31 May 2012 15:53:30 -0500 (CDT) Received: from [24.167.166.243] (port=50053 helo=Neptune) by gator1184.hostgator.com with esmtpa (Exim 4.77) (envelope-from ) id 1SaCN8-0000H0-3n for AE-List@media-motion.tv; Thu, 31 May 2012 15:53:30 -0500 Reply-To: From: "Stephen van Vuuren" To: "'After Effects Mail List'" References: In-Reply-To: Subject: RE: [AE] [OT] Working with still sequences Date: Thu, 31 May 2012 16:53:22 -0400 Organization: SV2 Studios Message-ID: <014c01cd3f6f$6aa8f5b0$3ffae110$@sv2studios.com> MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_014D_01CD3F4D.E397F1F0" X-Mailer: Microsoft Outlook 14.0 Thread-Index: AQF+/L25PB1XLrB+ISTObzivP0aCcpeA48gQ Content-Language: en-us X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - gator1184.hostgator.com X-AntiAbuse: Original Domain - media-motion.tv X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - sv2studios.com X-BWhitelist: no X-Source: X-Source-Args: X-Source-Dir: X-Source-Sender: (Neptune) [24.167.166.243]:50053 X-Source-Auth: stephen@sv2studios.com X-Email-Count: 11 X-Source-Cap: c3RlcGhlbnY7c3RlcGhlbnY7Z2F0b3IxMTg0Lmhvc3RnYXRvci5jb20= This is a multipart message in MIME format. ------=_NextPart_000_014D_01CD3F4D.E397F1F0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit > We're interested to know what is going on here as well. We've actually inflicted damage to our san drives by rendering a reel of tiff files (around 30,000 to a folder) for a feature in preparation for a DCP. The That's a serious bug. I DCP creation work for features and this is not an issue on NTFS drives. I've routinely had folders of 16 and 32-bit TIFFs with 50,000 to 150,000 image sequence as never had an issue. I bring those into AE and render J2K, also in single folders and no issues. It introduces a little lag but not unexpected and normally don't have thumbnail view on for those folders. Putting sequences in sub-folders is a huge pain. I wonder how NTFS drives would behave under MacOS with a driver for this situation. stephen van vuuren 336.202.4777 http://www.sv2dcp.com/ http://www.sv2studios.com/ http://www.outsideinthemovie.com/ A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later. -Stanley Kubrick ------=_NextPart_000_014D_01CD3F4D.E397F1F0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

> We're interested to know what is going on here as well. = We've actually inflicted damage to our san drives by rendering a reel of = tiff files (around 30,000 to a folder) for a feature in preparation for = a DCP. The

 

That’s a serious bug. I DCP creation work for features and this = is not an issue on NTFS drives. I’ve routinely had folders of 16 = and 32-bit TIFFs with 50,000 to 150,000 image sequence as never had an = issue. I bring those into AE and render J2K, also in single folders and = no issues. It introduces a little lag but not unexpected and normally = don’t have thumbnail view on for those folders. Putting sequences = in sub-folders is a huge pain.

 

I wonder how NTFS drives would behave under MacOS with a driver for = this situation.

 

stephen van vuuren

336.202.4777

 

http://www.sv2dcp.com/<= /b>

http://www.sv2studios.com/<= /span>

http://www.outsideinthemovie.com/=

 

A film is – or should be – more like music than like = fiction. It should be a progression of moods and feelings. The theme, = what’s behind the emotion, the meaning, all that comes = later.

Stanley Kubrick

 

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