Return-Path: Received: from host6.canaca.com ([66.49.160.142] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4746159 for AE-List@media-motion.tv; Thu, 14 Jun 2012 01:57:42 +0200 Received: from 207-195-100-23.regn.static.sasknet.sk.ca ([207.195.100.23] helo=[192.168.1.38]) by host6.canaca.com with esmtpa (Exim 4.69) (envelope-from ) id 1SexU6-00075W-1P for AE-List@media-motion.tv; Wed, 13 Jun 2012 20:00:22 -0400 From: Jack Tunnicliffe Mime-Version: 1.0 (Apple Message framework v1278) Content-Type: multipart/alternative; boundary="Apple-Mail=_A709735C-5393-4E82-8FAA-73F3853EA5DF" Subject: Re: [AE] [OT] musings on the future of Mac "Pro" Date: Wed, 13 Jun 2012 18:00:19 -0600 In-Reply-To: To: "After Effects Mail List" References: Message-Id: <6CF39622-E510-424D-8BB3-4706182D4224@javapost.ca> X-Mailer: Apple Mail (2.1278) X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - host6.canaca.com X-AntiAbuse: Original Domain - media-motion.tv X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - javapost.ca X-Source: X-Source-Args: X-Source-Dir: --Apple-Mail=_A709735C-5393-4E82-8FAA-73F3853EA5DF Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=windows-1252 Working on a movie right now shot Epic 5K. Many shots are repositioned = and zoomed up as much as 200%. You can't do this with something that's = 1920x1080 in the first place. You can zoom in a little but now 200% to = make a single out of a wide shot.=20 Most effect plates are pulled in log at 2K and often larger for complex = 3D work such as green screen keys, set extensions, etc. RedLogFilm = exports as log through RedCine-X or Davinci or AE. The option just = doesn't exist when you haven't shot with a large format raw camera. I = love the Sony F3 cameras, large pixels, low noise but when are they = going to allow us to get at the large image? Sony keeps telling me its = just a firmware upgrade away. Maybe.=20 Jack Tunnicliffe Java Post Production www.javapost.ca On Jun 13, 2012, at 12:58 PM, John Morgan wrote: > Playing off your mention of Arri RAW and Red, it strikes me that some = in this industry have gravitated to Arri and Red for the express purpose = of being able to call themselves =93Pro=94. IMO, if they=92re not = shooting for cinema-sized outputs, what=92s the point of all that = resolution? I=92ve always chuckled at some in that crowd, anxious to = call themselves indie film makers, who don=92t have the infrastructure, = storage space or means to edit and handle 2k-4k material.=20 --Apple-Mail=_A709735C-5393-4E82-8FAA-73F3853EA5DF Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=windows-1252

Jack Tunnicliffe

Java Post Production

On Jun 13, 2012, at 12:58 PM, John Morgan wrote:

Playing off your = mention of Arri RAW and Red, it strikes me that some in this industry = have gravitated to Arri and Red for the express purpose of being able to = call themselves =93Pro=94. IMO, if they=92re not shooting for = cinema-sized outputs, what=92s the point of all that resolution? I=92ve = always chuckled at some in that crowd, anxious to call themselves indie = film makers, who don=92t have the infrastructure, storage space or means = to edit and handle 2k-4k = material.

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