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| On Jun 13, 2012, at 4:52 PM, Jack Tunnicliffe wrote: > We ended up purchasing a Fuze and are creating ours in hardware and the conversion to X-Y-Z color space is flawless. Many of the software products shift well everything. We've evaluated some DCP's that were created elsewhere by festivals, etc, from our masters and we can barely recognize them from the source, blown out highlights, lifted blacks, shifted color, you name it. I wonder what's going on with these other software products. XYZ conversion should be a well-defined, straight-forward thing. In After Effects, you can do it with the supplied color profiles. What's the shift you're talking about? There should be no reason to believe a proprietary hardware device can do a better job than software for the XYZ conversion. Kind of reminds me of how some ad agencies will pay more for work done on a Flame, as if the pixels are somehow imbued with extra magic that way. Brendan |
