Return-Path: Received: from mail-wg0-f53.google.com ([74.125.82.53] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4755474 for AE-List@media-motion.tv; Sat, 23 Jun 2012 20:35:09 +0200 Received: by wgbfm10 with SMTP id fm10so2063649wgb.22 for ; Sat, 23 Jun 2012 11:38:10 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=sender:from:mime-version:content-type:subject:date:in-reply-to:to :references:message-id:x-mailer; bh=wTDZdhsuhAoe5DlC50WiHjPOa9Up4cB6Z7j/Mlvft+0=; b=GhkSJf4IbAQiE3Skoe51sE7rraYtaLW0YpIktt6Q9O+Mfhm9XNzaXje+7s52umKECl wV4/agFaR9NWccm3K5Hbv/DiGhexQD+U7PASP2qVtyLLPXX4hqlNV1dWa5SEWYLc3whn T2FuGt5fyrdv92T6z2xm7M8FohM0KaEjpLp7/NuG5YLrjRNq4Co9TWsBMFCAa6kgaVst dz4beNZeWQ/cCP7pWUGM/I1bfpyVjXuUz31ePTAOLygfdpRSOJvzQq9TLRXXVyyPVMDL HttF8hTNVdgOJXobJYs7P9Gwl2zZeF4ufzBcKdceCzlLZwLyTX+a33qQzGAP6BX1F/lx CcgQ== Received: by 10.180.103.4 with SMTP id fs4mr5277217wib.16.1340476690412; Sat, 23 Jun 2012 11:38:10 -0700 (PDT) Return-Path: Received: from [192.168.1.101] (dhcp-077-249-019-212.chello.nl. [77.249.19.212]) by mx.google.com with ESMTPS id db7sm5226828wib.6.2012.06.23.11.38.09 (version=TLSv1/SSLv3 cipher=OTHER); Sat, 23 Jun 2012 11:38:09 -0700 (PDT) Sender: Gary Berendsen From: Gary Berendsen Mime-Version: 1.0 (Apple Message framework v1278) Content-Type: multipart/alternative; boundary="Apple-Mail=_D31A689B-4738-4E45-8399-8C68B0EC5F52" Subject: Re: [AE] frame rate weirdness Date: Sat, 23 Jun 2012 20:38:09 +0200 In-Reply-To: To: "After Effects Mail List" , References: Message-Id: X-Mailer: Apple Mail (2.1278) --Apple-Mail=_D31A689B-4738-4E45-8399-8C68B0EC5F52 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=windows-1252 Howabout: 16F16, 12F12, 16L12, 12P16, 14P16 and 14L12? Would that be 20L16 :) Gary Berendsen - VFX Generalist =20 On Jun 23, 2012, at 6:41 PM, Stephen van Vuuren wrote: > This just came up last night on our local film/video list (Raleigh, NC = area). > =20 > Someone was needing to make as =93a perfect quality SD 20:9=94 H.264 = file and could not figure out the pixel dimensions as they are =93not = good at math=94. Advice was tossed out about letterboxing SD with no = reference to SD using two difference non-square pixels nor the fact the = native =9320:9=94 footage would not be considered =93SD=94 as it meets = no standard. Nor the fact that 2000 x 900 pixels is 20:9 etc. etc. > =20 > It=92s all good to sleep through class and FB or skip the chapters if = self-taught, but considering how often frame rates, sizes, interlacing = etc. comes up =96 it seems like a career problem if you can=92t solve = these issues on your own. > =20 > stephen van vuuren > 336.202.4777 > =20 > http://www.sv2dcp.com/ > http://www.sv2studios.com/ > http://www.outsideinthemovie.com/ > =20 > A film is =96 or should be =96 more like music than like fiction. It = should be a progression of moods and feelings. The theme, what=92s = behind the emotion, the meaning, all that comes later. > =96Stanley Kubrick --Apple-Mail=_D31A689B-4738-4E45-8399-8C68B0EC5F52 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=windows-1252 Howabout:
16F16, 12F12, 16L12, 12P16, 14P16 = and 14L12?

Would that be = 20L16

:)

Gary Berendsen - VFX = Generalist
This just came up last night on = our local film/video list (Raleigh, NC = area).
It=92s = all good to sleep through class and FB or skip the chapters if = self-taught, but considering how often frame rates, sizes, interlacing = etc. comes up =96 it seems like a career problem if you can=92t solve = these issues on your own.