Return-Path: Received: from mail-wi0-f175.google.com ([209.85.212.175] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4774994 for AE-List@media-motion.tv; Sat, 14 Jul 2012 02:03:46 +0200 Received: by wibhm2 with SMTP id hm2so884555wib.4 for ; Fri, 13 Jul 2012 17:07:22 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=sender:from:mime-version:content-type:subject:date:in-reply-to:to :references:message-id:x-mailer; bh=g7szqNhTgi0hOpsi//f/E+vQ3/QPBABqYg02jUHvy18=; b=X6EaA9cXAhFDvXnFetNbKmiwaq0vI16dmbLnmpq7UCumIFa67jT2UdY321mqCw+soE zKdzsBXckk/+EnJqMxYWTBG8kCBuXqupdkUX8OVUWInsc6RRhzWb3p5037aNAydcptSC V2xg70KYF3a3LkyYZn4MmQqFzQJKrNg9Z/ULy1L9pp1EJKU1j6A1/hO2psz8g5heHa8m 2JDiVjmVjt878ivkKMVos3Ij8pf95t1F3OQy8Uc9nIeobdZY9nLCn0mExScRa0HAbUsN jNOxpEO5IHEJVTg/+1WYaVjqIsJc/a5OtLihkehBIwfnFHhQJKtj4HPkkZ/ym0IxXhqf DhnQ== Received: by 10.180.80.134 with SMTP id r6mr1573125wix.1.1342224442608; Fri, 13 Jul 2012 17:07:22 -0700 (PDT) Return-Path: Received: from [192.168.1.101] (dhcp-077-249-019-212.chello.nl. [77.249.19.212]) by mx.google.com with ESMTPS id fr4sm9308827wib.8.2012.07.13.17.07.20 (version=TLSv1/SSLv3 cipher=OTHER); Fri, 13 Jul 2012 17:07:21 -0700 (PDT) Sender: Gary Berendsen From: Gary Berendsen Mime-Version: 1.0 (Apple Message framework v1278) Content-Type: multipart/alternative; boundary="Apple-Mail=_4F991931-8032-4B92-B68A-E1BD90DC8B1E" Subject: Re: [AE] Making stuff look crappy Date: Sat, 14 Jul 2012 02:07:20 +0200 In-Reply-To: To: "After Effects Mail List" References: Message-Id: <9107B751-8D04-436E-8ACA-C79539EA99B4@garyberendsen.com> X-Mailer: Apple Mail (2.1278) --Apple-Mail=_4F991931-8032-4B92-B68A-E1BD90DC8B1E Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=windows-1252 I usually use the digieffects plugz in damage for those things=85 much quicker. Gary Berendsen - VFX Generalist @DuintjerCS Kamer 1.009 Vijzelstraat 72 1017 HL Amsterdam gary@garyberendsen.com mob:+31 6 1438 5398 http://garyberendsen.com On Jul 14, 2012, at 1:07 AM, Gary Reisman wrote: > There's a number of ways, depending on how crappy you want to make it = look. >=20 > I'm always having to composite and muck stuff up to match low rez / = cell phone youtube stuff > but found most the Digieffects and Saphire plug-ins to be a tad bit = over the top.=20 >=20 > I've often rendered out low rez (320x240) using medium or low quality = settings of PhotoJPEG or even Cinepak (yup, it's still good for = something!) > and then re-import. >=20 > If I'm forced to keep working in HD resolution, I'll use a variety of = combinations of blur, mosaic and noises, =20 > plus I'll sometimes throw in Turbulent Displacement in between them, = set to a very small displacement which can grunge things up a fair = amount >=20 >=20 >=20 >=20 >=20 > +---End of message---+ > To unsubscribe send any message to --Apple-Mail=_4F991931-8032-4B92-B68A-E1BD90DC8B1E Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=windows-1252 I = usually use the digieffects plugz in damage for those things=85
much = quicker.

Gary = Berendsen - VFX Generalist
  @DuintjerCS = Kamer 1.009
  Vijzelstraat = 72
  1017 HL Amsterdam
  mob:+31 6 1438 = 5398

On Jul 14, 2012, at 1:07 AM, Gary Reisman wrote:

There's= a number of ways, depending on how crappy you want to make it = look.

I'm always having to composite and muck stuff up to match = low rez / cell phone youtube stuff
but found most the Digieffects and = Saphire  plug-ins to be a tad bit over the top.

I've often = rendered out low rez (320x240) using medium or low quality settings of = PhotoJPEG or even Cinepak (yup, it's still good for something!)
and = then re-import.

If I'm forced to keep working in HD resolution, = I'll  use a variety of combinations of blur, mosaic and noises, =  
plus I'll sometimes throw in Turbulent Displacement in between = them,  set to a very small displacement which can grunge things up = a fair amount





+---End of message---+
To = unsubscribe send any message to <ae-list-off@media-motion.tv>

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