Return-Path: Received: from spike.lmi.net ([66.117.140.17] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4786163 for AE-List@media-motion.tv; Wed, 25 Jul 2012 19:35:29 +0200 Received: from [192.168.1.140] (c-71-198-249-239.hsd1.ca.comcast.net [71.198.249.239]) by spike.lmi.net (Postfix) with ESMTP id BE04D154173 for ; Wed, 25 Jul 2012 10:39:29 -0700 (PDT) Content-Type: text/plain; charset=us-ascii Mime-Version: 1.0 (Apple Message framework v1084) Subject: Re: [AE] color space management From: Brendan Bolles In-Reply-To: Date: Wed, 25 Jul 2012 10:39:29 -0700 Content-Transfer-Encoding: quoted-printable Message-Id: References: To: "After Effects Mail List" X-Mailer: Apple Mail (2.1084) On Jul 25, 2012, at 10:16 AM, mpo@michaeloreilly.com wrote: > She has given me high res TIFF files of those photos for use in an AE > built montage. She has also given me low res jpg's built for the web = so I > can compare the two (TIFF and JPG) and get the tiff to look like the = jpg. > Even though I know some things about color management, it seems I = don't > know enough to get the TIFF's to look like the JPEG's. (the JPEGs' = look > more saturated and orangey and in IMHO, look worse that the TIFF's = when I > bring both in without changing any settings. If you open both files in Photoshop, do they look the same? If so, then = they probably use different color profiles. You can get them to look = the same in AE by using the Color Profile Converter if you don't want to = use the full color management. If they don't look the same in Photoshop, then you might want to ask how = the JPEG was created from the TIFF. Brendan