Return-Path: Received: from mta11.charter.net ([216.33.127.80] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4786171 for ae-list@media-motion.tv; Wed, 25 Jul 2012 19:38:04 +0200 Received: from imp09 ([10.20.200.9]) by mta11.charter.net (InterMail vM.8.01.05.02 201-2260-151-103-20110920) with ESMTP id <20120725174205.ZPTB10966.mta11.charter.net@imp09> for ; Wed, 25 Jul 2012 13:42:05 -0400 Received: from [192.168.2.14] ([71.94.133.66]) by imp09 with smtp.charter.net id ehi41j00G1S6qBK05hi5Bu; Wed, 25 Jul 2012 13:42:05 -0400 X-Authority-Analysis: v=1.1 cv=de4lG9b5LBLbdPP1mBfs3/eRZB7j2kpYfCvmEe8raAk= c=1 sm=1 a=yUnIBFQkZM0A:10 a=Vx6aIzdhH7H4BIXK4xUDUQ==:17 a=crJMYgr0AAAA:8 a=bWdBkzTTAAAA:8 a=hOpmn2quAAAA:8 a=3Dniy7hkl_zcM4iBmZgA:9 a=pILNOxqGKmIA:10 a=RFaxJ1YKWH0A:10 a=p3b_eOXHgIUA:10 a=i_ystWAnD3wA:10 a=hUswqBWy9Q8A:10 a=_W_S_7VecoQA:10 a=tXsnliwV7b4A:10 a=Vx6aIzdhH7H4BIXK4xUDUQ==:117 From: Jonathan Penzner Mime-Version: 1.0 (Apple Message framework v1084) Content-Type: multipart/alternative; boundary=Apple-Mail-55--141295375 Subject: Re: [AE] color space management Date: Wed, 25 Jul 2012 10:42:04 -0700 In-Reply-To: To: "After Effects Mail List" References: Message-Id: <9472748B-744C-4D1E-BC17-00257FFB3832@charter.net> X-Mailer: Apple Mail (2.1084) --Apple-Mail-55--141295375 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=windows-1252 This doesn't make sense. Why wouldn't the TIFFs be the gold standard. = JPEGs compressed for the web would be a step down from the full rez = TIFFS, no? On Jul 25, 2012, at 10:36 AM, Teddy Gage wrote: > Personally, I would grade them in photoshop, come up with an action = and batch process them there, instead of fiddling with AE's color = management which is mainly meant for video processing of different color = profiles. Photoshop is going to be a better tool for detailed image = matching. Although of course it is possible with AE. >=20 > On Wed, Jul 25, 2012 at 1:16 PM, wrote: > I don't usually have to worry about Color Space management, but I am > making a piece about a photographer and the book of her photos she is > publishing. >=20 > She has given me high res TIFF files of those photos for use in an AE > built montage. She has also given me low res jpg's built for the web = so I > can compare the two (TIFF and JPG) and get the tiff to look like the = jpg. > Even though I know some things about color management, it seems I = don't > know enough to get the TIFF's to look like the JPEG's. (the JPEGs' = look > more saturated and orangey and in IMHO, look worse that the TIFF's = when I > bring both in without changing any settings. >=20 > Can anyone point me to a good resource for figuring out where I am = going > wrong ? >=20 > Thanks - mike o >=20 > CS5.5 > OSX10.6.8 > Mac Pro 2.26 GHz Quad-Core Intel Xeon >=20 >=20 >=20 > +---End of message---+ > To unsubscribe send any message to >=20 >=20 >=20 > --=20 > Animator & Editor > www.teddygage.com > Brooklyn >=20 JONATHAN PENZNER SUNDANCE/REALTIME VIDEO EDITING =95 MOTION GRAPHICS =95 DESIGN | STUDIO 626 345-0285 | | CELL 818 321-2890 | SUREAL@CHARTER.NET --Apple-Mail-55--141295375 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=windows-1252
Personally, = I would grade them in photoshop, come up with an action and batch = process them there, instead of fiddling with AE's color management which = is mainly meant for video processing of different color profiles. = Photoshop is going to be a better tool for detailed image matching. = Although of course it is possible with AE.

On Wed, Jul 25, 2012 at 1:16 PM, <mpo@michaeloreilly.com> = wrote:
I don't usually have to worry about Color Space management, but I am
making a piece about a photographer and the book of her photos she = is
publishing.

She has given me high res TIFF files of those photos for use in an = AE
built montage. She has also given me low res jpg's built for the web so = I
can compare the two (TIFF and JPG) and get the tiff to look like the = jpg.
Even though I know some things about color management, it seems I = don't
know enough to get the TIFF's to look like the JPEG's. (the JPEGs' = look
more saturated and orangey and in IMHO, look worse that the TIFF's when = I
bring both in without changing any settings.

Can anyone point me to a good resource for figuring out where I am = going
wrong ?

Thanks - mike o

CS5.5
OSX10.6.8
Mac Pro 2.26 GHz Quad-Core Intel Xeon



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Animator & Editor
www.teddygage.com
Brooklyn



JONATHAN = PENZNER
VIDEO EDITING =95 MOTION GRAPHICS =95 = DESIGN
| STUDIO 626 = 345-0285  CELL = 818 = 321-2890 SUREAL@CHARTER.NET

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