Return-Path: Received: from oproxy5-pub.bluehost.com ([67.222.38.55] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with SMTP id 4787907 for AE-List@media-motion.tv; Thu, 26 Jul 2012 19:45:18 +0200 Received: (qmail 516 invoked by uid 0); 26 Jul 2012 17:49:20 -0000 Received: from unknown (HELO just138.justhost.com) (173.254.28.138) by cpoproxy2.bluehost.com with SMTP; 26 Jul 2012 17:49:20 -0000 Received: from [86.2.182.30] (port=45708 helo=[10.0.1.10]) by just138.justhost.com with esmtpsa (TLSv1:AES128-SHA:128) (Exim 4.76) (envelope-from ) id 1SuSBc-0004TG-N9 for AE-List@media-motion.tv; Thu, 26 Jul 2012 11:49:20 -0600 Content-Type: text/plain; charset=us-ascii Mime-Version: 1.0 (Apple Message framework v1278) Subject: Re: [AE] color space management From: Richard Green In-Reply-To: Date: Thu, 26 Jul 2012 18:49:18 +0100 Content-Transfer-Encoding: quoted-printable Message-Id: References: To: "After Effects Mail List" X-Mailer: Apple Mail (2.1278) X-Identified-User: {1173:just138.justhost.com:loopcor1:loopcorp.com} {sentby:smtp auth 86.2.182.30 authed with rich@loopcorp.com} Hi Michael It sounds like whoever made the jpegs didn't know about colour = management and assigned an incorrect colour space but she's decided she = prefers that look! First thing you could try is open them both up in = Photoshop, take your jpeg and go to the bottom left of your window and = select Document Profile to see what space it's been saved in.=20 http://www.loopcorp.com//Miscellany/Colour_Space.png Now go to the tiff and see what it's Document Profile is. If it's = different go to Edit > Assign Profile (not Convert to Profile) and try = the same profile as the jpeg. Trouble is, you don't know how much that = jpeg's been abused profile-wise so that may not be the answer but that = may be the easy solution.=20 If it works and your AE work is going to be done in something video = friendly like REC-709, I would then go to Edit > Convert to Profile and = set your Destination Space to HDTV (REC-709). Photoshop will then put it = into the correct space for AE while preserving the look that your client = wants. I believe you can set AE to preserve the incoming profiles but = this is way I prefer to do it, others may disagree! I get lots of problems with photographers using Assign Profile rather = than Convert to Profile. HTH. Cheers Rich www.loopcorp.com On 25 Jul 2012, at 18:16, mpo@michaeloreilly.com wrote: > I don't usually have to worry about Color Space management, but I am > making a piece about a photographer and the book of her photos she is > publishing. >=20 > She has given me high res TIFF files of those photos for use in an AE > built montage. She has also given me low res jpg's built for the web = so I > can compare the two (TIFF and JPG) and get the tiff to look like the = jpg. > Even though I know some things about color management, it seems I = don't > know enough to get the TIFF's to look like the JPEG's. (the JPEGs' = look > more saturated and orangey and in IMHO, look worse that the TIFF's = when I > bring both in without changing any settings. >=20 > Can anyone point me to a good resource for figuring out where I am = going > wrong ? >=20 > Thanks - mike o >=20 > CS5.5 > OSX10.6.8 > Mac Pro 2.26 GHz Quad-Core Intel Xeon >=20 >=20 >=20 > +---End of message---+ > To unsubscribe send any message to