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Subject: Re: [AE] Baking out 3D projection map in After Effects?
References: <list-4821141@media-motion.tv>
From: David Torno <torno@sydefxink.com>
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Not sure how you are assembling it, but when I build templates to hand off I=
 will just Precomp with leave attributes on. This gives me the final look in=
 the main comp and the raw source in a Precomp. If needed I also add guides i=
n the Precomp to mark extremes and boundaries and such. Text layers (set to g=
uide layers) with notes and directions.

David Torno
Visual Effects Artist & Supervisor
http://www.ghosttownmedia.com
O: 213.739.2290
C: 818.391.6060
---------------------
http://www.sydefxink.com
http://aeioweyou.blogspot.com
http://mactex.blogspot.com

"The most useless day is that in which we do not laugh"
-Charles Field

On Aug 22, 2012, at 11:34 AM, Brian Behm <flabbyironman@gmail.com> wrote:

> Hey all,=20
>    I'm working on some 3D projection mapping for one of our current projec=
ts and I need to be able to stitch the background. Trying to create extra ve=
rsatility for the team I have to pass it off to because I don't know the eve=
ntual camera move they'll use. Does anyone know of a process a/la MochaImpor=
t/Red Giant Warp to create an undistorted precomp for the various surfaces b=
ased on the camera projection?=20
>=20
>=20
>=20
> Brian Behm
> Art Director/ VFX Compositor
> Rooster Teeth Productions
>=20
> --=20
> not getting enough of my blather?
> check out http://flabbyironman.blogspot.com
> or my portfolio at http://behmcreative.com
>=20

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<html><head></head><body bgcolor=3D"#FFFFFF"><div>Not sure how you are assem=
bling it, but when I build templates to hand off I will just Precomp with le=
ave attributes on. This gives me the final look in the main comp and the raw=
 source in a Precomp. If needed I also add guides in the Precomp to mark ext=
remes and boundaries and such. Text layers (set to guide layers) with notes a=
nd directions.<br><br>David Torno<div>Visual Effects Artist &amp; Supervisor=
</div><div><a href=3D"http://www.ghosttownmedia.com">http://www.ghosttownmed=
ia.com</a></div><div>O: 213.739.2290</div><div>C: 818.391.6060</div><div>---=
------------------</div><div><a href=3D"http://www.sydefxink.com">http://www=
.sydefxink.com</a></div><a href=3D"http://aeioweyou.blogspot.com">http://aei=
oweyou.blogspot.com</a><div><a href=3D"http://mactex.blogspot.com">http://ma=
ctex.blogspot.com</a><br></div><div><br></div><div>"The most useless day is t=
hat in which we do not laugh"</div><div>-Charles Field</div></div><div><br>O=
n Aug 22, 2012, at 11:34 AM, Brian Behm &lt;<a href=3D"mailto:flabbyironman@=
gmail.com">flabbyironman@gmail.com</a>&gt; wrote:<br><br></div><div></div><b=
lockquote type=3D"cite"><div>Hey all,&nbsp;<div>&nbsp; &nbsp;I'm working on s=
ome 3D projection mapping for one of our current projects and I need to be a=
ble to stitch the background. Trying to create extra versatility for the tea=
m I have to pass it off to because I don't know the eventual camera move the=
y'll use. Does anyone know of a process a/la MochaImport/Red Giant Warp to c=
reate an undistorted precomp for the various surfaces based on the camera pr=
ojection?&nbsp;</div>
<div><br></div><div><br></div><div><br></div><div>Brian Behm</div><div>Art D=
irector/ VFX Compositor</div><div>Rooster Teeth Productions<br><div><div><br=
></div>-- <br>not getting enough of my blather?<br>check out <a href=3D"http=
://flabbyironman.blogspot.com">http://flabbyironman.blogspot.com</a><br>
or my portfolio at <a href=3D"http://behmcreative.com">http://behmcreative.c=
om</a><br><br>
</div></div>
</div></blockquote></body></html>=

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