that's generally how I handle a motion project I'm handing off. lots of notes. I was speaking more about the stitching. FWIW, I stumbled on a Red Giant TV episode that showed Harry Frank using warp for Projection Mapping. I think it's going to work for creating layers that I can go and clean up and reposition in 3D space. Thankful the proejcted area is a fairly simple set.
Brian Behm Art Director/ VFX Compositor Rooster Teeth Productions
On Wed, Aug 22, 2012 at 11:52 AM, David Torno <torno@sydefxink.com> wrote:
Not sure how you are assembling it, but when I build templates to hand off I will just Precomp with leave attributes on. This gives me the final look in the main comp and the raw source in a Precomp. If needed I also add guides in the Precomp to mark extremes and boundaries and such. Text layers (set to guide layers) with notes and directions.
David Torno Visual Effects Artist & Supervisor
--------------------- http://aeioweyou.blogspot.com
"The most useless day is that in which we do not laugh" -Charles Field
Hey all, I'm working on some 3D projection mapping for one of our current projects and I need to be able to stitch the background. Trying to create extra versatility for the team I have to pass it off to because I don't know the eventual camera move they'll use. Does anyone know of a process a/la MochaImport/Red Giant Warp to create an undistorted precomp for the various surfaces based on the camera projection?
Brian Behm Art Director/ VFX Compositor Rooster Teeth Productions
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