Return-Path: Received: from gateway01.websitewelcome.com ([69.93.115.19] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 4829388 for AE-List@media-motion.tv; Wed, 29 Aug 2012 22:38:19 +0200 Received: by gateway01.websitewelcome.com (Postfix, from userid 5007) id E599DFFF7CD20; Wed, 29 Aug 2012 15:39:08 -0500 (CDT) Received: from alpina.websitewelcome.com (alpina.websitewelcome.com [74.54.176.2]) by gateway01.websitewelcome.com (Postfix) with ESMTP id C941BFFF7CCB4 for ; Wed, 29 Aug 2012 15:39:08 -0500 (CDT) Received: from [199.21.106.94] (port=55431 helo=[192.168.0.5]) by alpina.websitewelcome.com with esmtpsa (TLSv1:AES128-SHA:128) (Exim 4.77) (envelope-from ) id 1T6p2Z-0004Qd-Oe for AE-List@media-motion.tv; Wed, 29 Aug 2012 15:39:07 -0500 From: Chris Meyer Mime-Version: 1.0 (Apple Message framework v1278) Content-Type: multipart/alternative; boundary="Apple-Mail=_8A7093D0-2A25-42E3-BD45-F8C3D15D1E7D" Subject: Re: [AE] building a dynamic node-like effect in AE Date: Wed, 29 Aug 2012 14:39:06 -0600 In-Reply-To: To: "After Effects Mail List" References: Message-Id: <10D003C6-B956-4FED-A14A-93475DC95068@crishdesign.com> X-Mailer: Apple Mail (2.1278) X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - alpina.websitewelcome.com X-AntiAbuse: Original Domain - media-motion.tv X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - crishdesign.com X-BWhitelist: no X-Source: X-Source-Args: X-Source-Dir: X-Source-Sender: ([192.168.0.5]) [199.21.106.94]:55431 X-Source-Auth: chris@crishdesign.com X-Email-Count: 1 X-Source-Cap: Y3Jpc2h3ZWI7Y3Jpc2h3ZWI7YWxwaW5hLndlYnNpdGV3ZWxjb21lLmNvbQ== --Apple-Mail=_8A7093D0-2A25-42E3-BD45-F8C3D15D1E7D Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=windows-1252 If you make one instance of this - a master control layer, and slave = layer with expressions that point back to the control layer - then you = can select the effects, expressions, etc. on the slave layer and save it = as an animation preset. Then when you apply that animation preset to a = new slave layer inside the same composition, it too will point to the = same master as the original. (Same will happen if you just duplicate the = slave layer, then swap out its source.) If these slaves will be in other compositions, then when you create your = first slave, put it in another composition, pointing back to the master = layer in the master comp. You can wire expressions across comps by = having both Timeline panels open at the same time (just drag one = timeline's tab above the others, and a new frame will be created in the = UI), then follow the above. What might also be of use is someone has created a script that creates = an "instance" of an effect where every parameter of an effect applied to = a slave will be attached to every corresponding parameter of a master - = saves a lot of pick-whipping if you need to set up a lot of parameters, = instead of just a few expression controls. Let me see what that thing = was called=85here it is: http://aescripts.com/ft-effect-instance/ good luck - Chris P.S. Our books, if you have them, tend to show examples of having one = master layer control multiple slave layers using expressions. On Aug 29, 2012, at 2:20 PM, Teddy Gage wrote: > Hello, I have a project which is basically a glorified power point = presentation. I say node-like because I want one effect instance to = change multiple layers with the effect, like in a node based compositor. = I have hundreds of images that come onscreen more or less one-by-one, = many of which will use pretty basic transitions. My desire is to build a = few nice "stock transitions" (like 3) using expressions, and anywhere I = drop these on a layer, its properties can be controlled by a single set = of sliders or keyframes. For example, I have CC page turn on many of = them, and I want to animate the fold position moving in. I want to be = able to drop this effect, or effect + expression or preset, onto any = layer, and have it automatically begin the transition from the layer = in-point. Additionally, every instance of the effect in the project is = controlled by a master slider or master set of keyframes in case the = client wants to tweak the timing. This way it will ripple through my = 100+ layers instead of having to manually change every keyframe. I have = some basic expression knowledge, but every time I think I'm close to = figuring this out it eludes me. This may be way more complicated than = I'm thinking, or way less. Thanks, > TG >=20 > --=20 > Animator & Editor > www.teddygage.com > Brooklyn >=20 --Apple-Mail=_8A7093D0-2A25-42E3-BD45-F8C3D15D1E7D Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=windows-1252 If = you make one instance of this - a master control layer, and slave layer = with expressions that point back to the control layer - then you can = select the effects, expressions, etc. on the slave layer and save it as = an animation preset. Then when you apply that animation preset to a new = slave layer inside the same composition, it too will point to the same = master as the original. (Same will happen if you just duplicate the = slave layer, then swap out its source.)

If these = slaves will be in other compositions, then when you create your first = slave, put it in another composition, pointing back to the master layer = in the master comp. You can wire expressions across comps by having both = Timeline panels open at the same time (just drag one timeline's tab = above the others, and a new frame will be created in the UI), then = follow the above.

What might also be of use is = someone has created a script that creates an "instance" of an effect = where every parameter of an effect applied to a slave will be attached = to every corresponding parameter of a master - saves a lot of = pick-whipping if you need to set up a lot of parameters, instead of just = a few expression controls. Let me see what that thing was called=85here = it is: http://aescripts.com/ft-= effect-instance/

good luck = -
Chris

P.S. Our books, if you have = them, tend to show examples of having one master layer control multiple = slave layers using = expressions.



On = Aug 29, 2012, at 2:20 PM, Teddy Gage wrote:

  = Hello, I have a project which is basically a glorified power point = presentation. I say node-like because I want one effect instance to = change multiple layers with the effect, like in a node based compositor. = I have hundreds of images that come onscreen more or less one-by-one, = many of which will use pretty basic transitions. My desire is to build a = few nice "stock transitions" (like 3) using expressions, and anywhere I = drop these on a layer, its properties can be controlled by a single set = of sliders or keyframes. For example, I have CC page turn on many of = them, and I want to animate the fold position moving in. I want to be = able to drop this effect, or effect + expression or preset, onto any = layer, and have it automatically begin the transition from the layer = in-point. Additionally, every instance of the effect in the project is = controlled by a master slider or master set of keyframes in case the = client wants to tweak the timing. This way it will ripple through my = 100+ layers instead of having to manually change every keyframe. I have = some basic expression knowledge, but every time I think I'm close to = figuring this out it eludes me. This may be way more complicated than = I'm thinking, or way less. Thanks,
TG

--
Animator = & Editor
www.teddygage.com
Brooklyn


= --Apple-Mail=_8A7093D0-2A25-42E3-BD45-F8C3D15D1E7D--