Return-Path: Received: from omr5.networksolutionsemail.com ([205.178.146.55] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4829626 for AE-List@media-motion.tv; Thu, 30 Aug 2012 01:38:41 +0200 Received: from cm-omr12 (mail.networksolutionsemail.com [205.178.146.50]) by omr5.networksolutionsemail.com (8.14.4/8.14.4) with ESMTP id q7TNdUKb021419 for ; Wed, 29 Aug 2012 19:39:30 -0400 X-Authenticated-IP: 205.178.146.50 Received: from [205.178.146.50] ([205.178.146.50:45283] helo=webmail15) by cm-omr12 (envelope-from ) (ecelerity 2.2.2.41 r(31179/31189)) with ESMTP id 27/4D-23652-238AE305; Wed, 29 Aug 2012 19:39:30 -0400 Received: from 59.167.240.84 (chris@chriszwar.com [59.167.240.84]) by webmail15 (Netsol 11.2.30) with WEBMAIL id 26172; Wed, 29 Aug 2012 23:39:30 +0000 From: "Chris Zwar" To: "After Effects Mail List" Importance: Normal Sensitivity: Normal Message-ID: X-Mailer: Network Solutions Webmail, Build 11.2.30 X-Originating-IP: [59.167.240.84] X-Forwarded-For: [(null)] Date: Wed, 29 Aug 2012 23:39:30 +0000 Subject: Re: [AE] building a dynamic node-like effect in AE MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi, It does make sense, and what I'm suggesting could do that but coming from= the problem in a different way. What is possible (I have done this many times) is to set up a single poin= t of control in the composition (an expression slider) that sets the time= -remapping for the pre-comp. This control then has an expression applied= to it to read the last two or three numbers of the composition name (usi= ng the subsrt function). You would name the composition something like P= ageturn_001. All you have to do is create one composition, set up your keyframes, then= duplicate it 200 times, and because After Effects will increment the num= ber at the end of each duplicated composition, you will end up with 200 u= nique compositions that has a different image in it. No more work requir= ed. If you need to change or alter the animation, you would delete the 199 co= mpositions, change your original, and then duplicate it 200 times again. This may not suit you - this approach only works in certain situations- b= ut I have used it successfully many times. Another completely different alternative is to set up your transition on = an adjustment layer, and then precomp it. If you want three different tr= ansitions, you can set up three different precomps that have nothing in t= hem except an adjustment layer with the effect applied to it. Then just drag the precomp on top of your images and enable 'collapse tra= nsformations' so the effects work in the main comp. If they're different= durations, you can still use a time-remapping on the precomp to match th= e duration each image (which can itself be automated with an expression).= Changing the adjustment layer in the precomp will effect every instance o= f it in your main composition. Sounds like you're getting there anyway but this is all food for thought,= -Chris -----Original Message----- From: Teddy Gage [mailto:teddygage@gmail.com] Sent: Thursday, August 30, 2012 08:26 AM To: 'After Effects Mail List' Subject: Re: [AE] building a dynamic node-like effect in AE Ah that's not quite what I meant, although it brings up an interesting id= ea for further automating the project. I'm placing the image layers in sequence by hand. But I want an effect on each layer that says "starting = at the in-point of this layer, move the cc page turn fold position 1000 unit= s left to right relative to the anchor point over 30 seconds." Then ideally= I could add this effect to hundreds of layers, but then at the end be able = to change the transition time from 3 seconds to 1 second for all layers by just changing a single variable. Chris solved half the problem (the stati= c variables) with a reference to an effect instancing script. But I still need to be able to change the timing without moving 200 keyframes by hand= . Does that make any more sense? On Wed, Aug 29, 2012 at 6:01 PM, Chris Zwar wrote: > Hi, > > It's difficult to offer advice without seeing exactly what you're tryin= g > to do, but I think that I would suggest you consider using time-remappi= ng > as a tool to select which image you want to use in each comp. > > Rather than have a preset which you drop onto a layer, I would put all = of > your source layers into one composition. If they're stills - great, > sequence them with 1 second durations. If they're video, then sequence= > them with even spacings (the duration of your longest clip, rounded up = to > the nearest second). > > Build your effects using this pre-comp as your main layer, and use > time-remapping to control which still or video you can see. You can us= e > the layer as many times as you need to, and link the time-remapping val= ue > of each instance to a master slider. > > This way, instead of having 3 presets, you will instead create 3 templa= te > compositions. All you need to do is duplicate the one that you want an= d > change the slider value so it's working on a different source image. I= f > you want to add more images or video, just add them to the end of your > sequence in the pre-comp that contains everything. > > Hope this makes sense, > > -Chris > > On 30/08/2012, at 6:20 AM, Teddy Gage wrote: > > Hello, I have a project which is basically a glorified power point > presentation. I say node-like because I want one effect instance to cha= nge > multiple layers with the effect, like in a node based compositor. I hav= e > hundreds of images that come onscreen more or less one-by-one, many of > which will use pretty basic transitions. My desire is to build a few ni= ce > "stock transitions" (like 3) using expressions, and anywhere I drop the= se > on a layer, its properties can be controlled by a single set of sliders= or > keyframes. For example, I have CC page turn on many of them, and I want= to > animate the fold position moving in. I want to be able to drop this eff= ect, > or effect + expression or preset, onto any layer, and have it automatic= ally > begin the transition from the layer in-point. Additionally, every insta= nce > of the effect in the project is controlled by a master slider or master= set > of keyframes in case the client wants to tweak the timing. This way it = will > ripple through my 100+ layers instead of having to manually change ever= y > keyframe. I have some basic expression knowledge, but every time I thin= k > I'm close to figuring this out it eludes me. This may be way more > complicated than I'm thinking, or way less. Thanks, > TG > > -- > Animator & Editor > www.teddygage.com > Brooklyn > > > -- Animator & Editor www.teddygage.com Brooklyn