Return-Path: Received: from mail-ie0-f169.google.com ([209.85.223.169] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4846247 for AE-List@media-motion.tv; Fri, 14 Sep 2012 17:53:20 +0200 Received: by iec9 with SMTP id 9so7036691iec.28 for ; Fri, 14 Sep 2012 08:54:38 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; bh=C0iPoN6qOFDCsDvKuzSVFRcmFPKLE0PPL0itGaKHdHM=; b=YfLm+rSkKkfmLSMzaeaKiaBO9E+5eWs9Ieba709jMtavqPe1LQyNCubUgTmUoYE5BT BZ+ayiVk2HJ+bZPgqDBf9yCgos3iEHWIdn2753xLgNMfeqLgsxM46vk8i8MOizyDlwmi cecUungDkbYpUs5fYxzciT4Zkf2kJfi3DI3uXv7nYf3NxwRMVnhlgZs9Lg2rMHZ0hlfi huOEwafDPwevRhGUsjSB0RPzd3rhEayTgKLrppxymw/v3sxQRqRP+2QrwSi8/CpkuiYu 1bMpwR3GHTWwtDtiKK46cH77MomCYtKuRG4YURrEDvyZ3LzfJa5XpuDhLuMeCPn+ruaV BTgw== MIME-Version: 1.0 Received: by 10.50.17.132 with SMTP id o4mr3567851igd.17.1347638078847; Fri, 14 Sep 2012 08:54:38 -0700 (PDT) Received: by 10.64.165.167 with HTTP; Fri, 14 Sep 2012 08:54:38 -0700 (PDT) Received: by 10.64.165.167 with HTTP; Fri, 14 Sep 2012 08:54:38 -0700 (PDT) In-Reply-To: References: Date: Fri, 14 Sep 2012 08:54:38 -0700 Message-ID: Subject: Re: [AE] alternative to track matte From: Darby Edelen To: After Effects Mail List Content-Type: multipart/alternative; boundary=14dae93404aff9bb5504c9ab70a5 --14dae93404aff9bb5504c9ab70a5 Content-Type: text/plain; charset=ISO-8859-1 To clarify: the matte and footage layers each get their own precomp. On Sep 14, 2012 5:52 PM, "Darby Edelen" wrote: > Set Matte may work if you precomp both the matte and footage layers (leave > all attributes) and set the collapse transformations layer switch on the > precomps. > --14dae93404aff9bb5504c9ab70a5 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable

To clarify: the matte and footage layers each get their own precomp.

On Sep 14, 2012 5:52 PM, "Darby Edelen"= ; <dedelen@gmail.com> wrote:=

Set Matte may work if you precomp both the matte and footage layers (lea= ve all attributes) and set the collapse transformations layer switch on the= precomps.

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