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| We used to use this approach quite a lot (I even taught it in a series), and the look can be interesting... but we eventually gave up on it. The problem with it is that there's no temporal filtering from frame to frame, so you often got "pops" in color when a subject turns their head, or a hand passes in front of the body etc. So while the outlines are compelling, the colors can jump all over the place. Perhaps they have fixed this in a later version?
Brian Hi Stephen,
This is a process I've also used. Did you know that you can automate the process using Bridge? If you save an Illustrator Live Paint preset, then select the image sequence in Bridge and go to Tools > Illustrator > Live Trace.
You can also set up Actions to do something similar which adds the option of tweaking while processing.
cheers,
Angie On 3 Oct 2012, at 23:14, Stephen van Vuuren wrote: If you have a lot of time but not a lot of money, it’s not the same visual effect as Charles Schwaub – but vectoring a still frame in Adobe Illustrator can give a unique look vs. the cartoon look plugins I’ve seen . Once you create a preset for a single frame, you can apply to all frames. Note that Illustrator is not easily automatable, but still, it would be far less time that rotoscoping and probably do a nice job for mid 4 figures. However, that look may not been what you want. And it will require cleanup work due to the unpredictability. Further caveat – I’ve only experimented this a number of year ago, so YMMV. stephen van vuuren 336.202.4777 A film is – or should be – more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later. –Stanley Kubrick
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