Return-Path: Received: from mail-gh0-f169.google.com ([209.85.160.169] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4863807 for AE-List@media-motion.tv; Fri, 05 Oct 2012 13:09:58 +0200 Received: by mail-gh0-f169.google.com with SMTP id r1so384896ghr.28 for ; Fri, 05 Oct 2012 04:11:56 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; bh=mN+8Q6lmYz9zGhsuOawXFb9VuRadL9SN1aYFRpkXFGo=; b=vrlida1VbhtPvAa0lnkFaviOwq97F84QTf3vgCsakv3ciMDNmLa2pfFxZtp5O61oxr csv4ROZVwp4R9phDR5Slq+uwiP793b5rvXy/UIAgiQ+wlDgxlcqkK51vZR72onE2sXNq qFZ8HI8YxuZGIV+yVbKhoB6znub7BxP4/L1Gug7AWE2mtIBqYLe3Fl9ZcRau18WyGTUA 9HNhP+aNw145gVx/AW/ozjHxmuPKwknu7lqCJuZ9Gi1hB2dOosA6JPyoU4TcX0vGQsEY 77wjsZYJQbhVL9zOwCzcc+abn/n6DJbbfFjFe06TA1M7s+wJyMXY5WUvaWGURKYqlxFq yWCw== MIME-Version: 1.0 Received: by 10.236.161.165 with SMTP id w25mr8152410yhk.22.1349435516497; Fri, 05 Oct 2012 04:11:56 -0700 (PDT) Received: by 10.146.113.14 with HTTP; Fri, 5 Oct 2012 04:11:56 -0700 (PDT) In-Reply-To: References: Date: Fri, 5 Oct 2012 12:11:56 +0100 Message-ID: Subject: Re: [AE] incorrect colors on output to client From: Darren H To: After Effects Mail List Content-Type: multipart/alternative; boundary=20cf305e25cb9bb01104cb4df048 --20cf305e25cb9bb01104cb4df048 Content-Type: text/plain; charset=ISO-8859-1 Hi Greg, The only difference is bit rate. HQ gives better quality at bigger file sizes, though in some cases where I've compared frames, I've struggled to see the difference. They're both 10bit. D. On Friday, 5 October 2012, Greg Balint wrote: > > Can anyone, off hand, tell me what the diffs are between HQ and non-HQ? > > > ///Greg Balint > //Art Director / Motion Graphics Designer > /321.514.4839 > delRAZOR.com/ > > On 10/4/2012 7:54 PM, Gary Berendsen wrote: > > I've been haing that as well, since cs6, well 5.5 as well. > prores non hq solved it for me. > > > *Gary Berendsen - VFX Generalist* > *Czaar Peter Straat 157-159* > *1018 PJ Amsterdam* > *garyberendsen.com* > *gary@garyberendsen.com* > *+31614385398* > *skype: garyberendsen* > > > > > > > On Oct 5, 2012, at 1:52 AM, Brian Maffitt > wrote: > > I missed the detail about it showing up in the final edit. If that's > true, this is something else. > > Brian > > Also this. I was gonna mention that. But if they see the shift in fcp > for final edit I guess it does matter. They can't just gamma shift it back? > On Oct 4, 2012 7:46 PM, "Brian Maffitt" wrote: > > Before you completely panic, I think you may be seeing a fairly well-know > Quicktime-on-Windows display bug. It only affects how the movie looks when > played in Quicktime, not when used in another application. Take a look at > the same clip in VLC and see if it looks OK. > > > Hey all, > > > > I'm running into some gamma issues or something, which I've never seen > before. > > > > I've previously had issue with the H.264 bug, where renders would come > out lighter, almost looking like their gamma was bumped up. I know what > that looks like and how to alleviate it. > > > > This however, is a completely different ball of yarn. > > > > Basically.. I can take a ProRes 422 HQ file from my client (who wo > > --20cf305e25cb9bb01104cb4df048 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Hi Greg,

The only difference is bit rate. HQ gives bette= r quality at bigger file sizes, though in some cases where I've compare= d frames, I've struggled to see the difference. They're both 10bit.= =A0

D.=A0

On Friday, 5 October 2012, Greg Balint wr= ote:
=20 =20 =20

Can anyone, off hand, tell me what the diffs ar= e between HQ and non-HQ?


///Greg Balint
//Art Director / Motion Graphics Designer
/321.514.4839
delRAZOR.com/ 
On 10/4/2012 7:54 PM, Gary Berendsen wrote:
=20 I've been haing that as well, since cs6, well 5.5 as well.
prores non hq solved it for me.


Gary Berendsen - VFX Generalist
Czaar Peter Straat 157-159
1018 PJ Amsterdam
+31614385398
skype: garyberendsen






On Oct 5, 2012, at 1:52 AM, Brian Maffitt <brian@total= training.com> wrote:

=20
I missed the detail about it showing up in the final edit. If that's true, this is something else.

Brian

Also this. I was gonna mention that. But if they see the shift in fcp for final edit I guess it does matter. They can't just gamma shift it back?

On Oct 4, 2012 7:46 PM, "Brian Maffitt" <brian@totaltraining.= com> wrote:
Before you completely panic, I think you may be seeing a fairly well-know Quicktime-on-Windows display bug. It only affects how the movie looks when played in Quicktime, not when used in another application. Take a look at the same clip in VLC and see if it looks OK.

> Hey all,
>
> I'm running into some gamma issues or something, which I've never seen before.
>
> I've previously had issue with the H.264 bug, where renders would come out lighter, almost looking like their gamma was bumped up. I know what that looks like and how to alleviate it.
>
> This however, is a completely different ball of yarn.
>
> Basically.. I can take a ProRes 422 HQ file from my client (who wo
--20cf305e25cb9bb01104cb4df048--