Todd’s point about teaching yourself to be ambidextrous is the best one yet. I did this back around 2000 and the best ergonomic tool I ever did – mouse, stylus, chair etc. eventually you will be repetitive. On long sessions, I will switch hands every couple of hours.
I grew up very right-handed when I started, but in recent years working on my IMAX film with so much fine detail visual work – I’ve noticed that I’m actually better with my left hand than right hand for that work and prefer it now. I’m sure right-brained visualization is a big part of that.
stephen van vuuren
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A film is – or should be – more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later.
–Stanley Kubrick