Return-Path: Received: from mail-pb0-f41.google.com ([209.85.160.41] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4873108 for AE-List@media-motion.tv; Mon, 15 Oct 2012 21:32:35 +0200 Received: by mail-pb0-f41.google.com with SMTP id rq2so4828495pbb.28 for ; Mon, 15 Oct 2012 12:34:53 -0700 (PDT) X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=google.com; s=20120113; h=from:content-type:subject:date:message-id:to:mime-version:x-mailer :x-gm-message-state; bh=LPangLvjNdo1MBzhgpqeY93qEp34wl7IECeNG+DdT1A=; b=JcDISURYkAOog4elq5Qd0W1BMzIyfAyJfza2VZBd/dJwqh36tuP+3eOdeYgLizcEqm 3i2//JQFJerU7uWOLqAz9xmO+5iu2zZQMndfd/srylg8rhyLDR28EKAdslw1+9bPG4Dw wOwsqCiKljBNwqHFcdhDT6iriE5BBDDFz9HcM1Rx5yR2vGNs3Bd0UmMRY7EGpiy49Waq DnTl1Za7IRWueJYR3T6xy8AQTCi7ROrDXagVChuxE+C5Ex1L/pJ1V7CITeDVRuZj0EDs dcKi5NCAWlz5Yph+YIcJWzW4rsX0VHwhzFaGaWRmEeuQqAajIUC6kWp0DrklgsvY3xek dh3g== Received: by 10.68.242.231 with SMTP id wt7mr39921652pbc.99.1350329693725; Mon, 15 Oct 2012 12:34:53 -0700 (PDT) Return-Path: Received: from [10.0.0.135] ([65.223.58.66]) by mx.google.com with ESMTPS id k9sm2985891paz.22.2012.10.15.12.34.51 (version=TLSv1/SSLv3 cipher=OTHER); Mon, 15 Oct 2012 12:34:52 -0700 (PDT) From: Phil Spitler Content-Type: multipart/alternative; boundary="Apple-Mail=_E8F74369-27DD-4519-8A6A-E22B861CD6EE" Subject: RED Workflow Date: Mon, 15 Oct 2012 12:35:14 -0700 Message-Id: <51640FAA-FF21-46A1-AC03-BBA3264FDC13@bonfirelabs.com> To: After Effects Mail List Mime-Version: 1.0 (Apple Message framework v1283) X-Mailer: Apple Mail (2.1283) X-Gm-Message-State: ALoCoQlX4H91yyIzGYQK+grp7UAEBTN3drwba+Xtl+Tf7wUhmxjoYEKjmB9/+QZTSTD6tkWOntZN --Apple-Mail=_E8F74369-27DD-4519-8A6A-E22B861CD6EE Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=us-ascii Hi, I have hit an interesting issue with my usual RED workflow and thought = I'd consult the list for alternative options. Basically we have our editors edit shots from a ProRes proxy that we = generate on set. When it is time to conform, I get the editors to export an XML from FCP = then in a text editor I simply do a search and replace to replace the = footage path and file extension from mov to r3d. When I load the xml into AE voila, I now have my edit made up of 5k = footage instead of the 1080 QT files. This has worked great until now. We just did a big shoot and because some of the takes are longer than = usual, the RED camera has split the file into multiple segments thus = breaking my amazing workflow. In our Smoke, we can just load the original XML and tell it to replace = the footage with RED footage and it automatically works. Any idea of a good way to conform in AE? Maybe I could do something in PP and get that into AE. Thanks. Phil Phil Spitler | Creative Technologist | Bonfire Labs | t : = 415.394.8200 m : 415.571.3139 Website | Facebook | LinkedIn --Apple-Mail=_E8F74369-27DD-4519-8A6A-E22B861CD6EE Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=us-ascii signature1 Phil = Spitler  |  Creative Technologist   |  Bonfire Labs  |  t : 415.394.8200  m : = 415.571.3139

Website | Facebook | LinkedIn
= --Apple-Mail=_E8F74369-27DD-4519-8A6A-E22B861CD6EE--