Return-Path: Received: from mail-qa0-f48.google.com ([209.85.216.48] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4873146 for AE-List@media-motion.tv; Mon, 15 Oct 2012 21:52:51 +0200 Received: by mail-qa0-f48.google.com with SMTP id c11so1616302qad.7 for ; Mon, 15 Oct 2012 12:55:10 -0700 (PDT) X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=google.com; s=20120113; h=from:mime-version:content-type:subject:date:in-reply-to:to :references:message-id:x-mailer:x-gm-message-state; bh=/micljr1bTdsHrv/0d8Mfu6JREFe9YLocPbYI/9uJUI=; b=TwQ81rbsp3o8OgwHWQp+hrQSPtzL6wzlSBv/DE/ipLiORLANzD8IKlswiXrRhrgWEs LqDN3ZtTg9QotxVGjkF+NGRbKeW5kTfdeCoiGKYVP4isMi9AS9pbKWjE8tKy30PRaTlF K1aB1p/HJ2pCLwzlLOTORZVNdoe/kyBALjj1GCr8snYIaVb9vX6VB/gwD1iCfopzxuAD ehUfNBrgI6/wFxLq0l5A9qKeMztT1WGyb20Gp/hsHElHJzEq1/TPHG5qHX1uMYFR8/pM Toh/HwSCb9TZz277zhPSxxAEleL3jw9ILjwMwuNmWtNjzJUBYQo4fTbtT30E3pAT4/IU eZFA== Received: by 10.49.72.3 with SMTP id z3mr30695523qeu.19.1350330909957; Mon, 15 Oct 2012 12:55:09 -0700 (PDT) Return-Path: Received: from [10.0.0.137] ([65.223.58.66]) by mx.google.com with ESMTPS id ig20sm13308325qab.19.2012.10.15.12.54.50 (version=TLSv1/SSLv3 cipher=OTHER); Mon, 15 Oct 2012 12:54:51 -0700 (PDT) From: Phil Spitler Mime-Version: 1.0 (Apple Message framework v1283) Content-Type: multipart/alternative; boundary="Apple-Mail=_DE146880-1EF2-4138-A1F9-399CF859CF12" Subject: Re: [AE] RED Workflow Date: Mon, 15 Oct 2012 12:55:14 -0700 In-Reply-To: To: "After Effects Mail List" References: Message-Id: <6DE5DF84-A94D-4A07-843D-BF6DD2F8D162@bonfirelabs.com> X-Mailer: Apple Mail (2.1283) X-Gm-Message-State: ALoCoQnVxI+Pq77hA/jHCrbJ0P/3uPzmSa3ZUojYTbEBSEdxUKGxkQlAm1qlSgXYeaZowRRVmNUG --Apple-Mail=_DE146880-1EF2-4138-A1F9-399CF859CF12 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=us-ascii Wow... I never spotted that option... I just tried it though and it didn't work swap out (or through up an = errors). Does the media need to be in specific locations? Thanks Jack. Phil Phil Spitler | Creative Technologist | Bonfire Labs | t : = 415.394.8200 m : 415.571.3139 Website | Facebook | LinkedIn On Oct 15, 2012, at 12:40 PM, Jack Tunnicliffe wrote: > Automatic Duck will automatically replace with R3D >=20 > Jack Tunnicliffe > Java Post Production > 402, 2206 Dewdney ave. > Regina, SK > Canada > S4R 1H3 > P. 306-777-0150 > cell. 306-536-4321 > www.javapost.ca > ______________ >=20 >=20 >=20 > On Oct 15, 2012, at 1:35 PM, Phil Spitler = wrote: >=20 >> Hi, >> I have hit an interesting issue with my usual RED workflow and = thought I'd consult the list for alternative options. >>=20 >> Basically we have our editors edit shots from a ProRes proxy that we = generate on set. >>=20 >> When it is time to conform, I get the editors to export an XML from = FCP then in a text editor I simply do a search and replace to replace = the footage path and file extension from mov to r3d. >>=20 >> When I load the xml into AE voila, I now have my edit made up of 5k = footage instead of the 1080 QT files. >>=20 >> This has worked great until now. >>=20 >> We just did a big shoot and because some of the takes are longer than = usual, the RED camera has split the file into multiple segments thus = breaking my amazing workflow. >>=20 >> In our Smoke, we can just load the original XML and tell it to = replace the footage with RED footage and it automatically works. >>=20 >> Any idea of a good way to conform in AE? >>=20 >> Maybe I could do something in PP and get that into AE. >>=20 >> Thanks. >>=20 >> Phil >>=20 >>=20 >>=20 >> Phil Spitler | Creative Technologist | Bonfire Labs | t : = 415.394.8200 m : 415.571.3139 >>=20 >> Website | Facebook | LinkedIn >>=20 >=20 --Apple-Mail=_DE146880-1EF2-4138-A1F9-399CF859CF12 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=us-ascii signature1 Phil = Spitler  |  Creative Technologist   |  Bonfire Labs  |  t : 415.394.8200  m : = 415.571.3139

Website | Facebook | LinkedIn
On Oct 15, 2012, at 12:40 PM, Jack Tunnicliffe = wrote:


Jack = Tunnicliffe
402, 2206 = Dewdney ave.
Regina, SK
Canada
S4R = 1H3
P. 306-777-0150
cell. 306-536-4321

On Oct 15, 2012, at 1:35 PM, Phil Spitler <phil@bonfirelabs.com> = wrote:

Hi,
I have hit an = interesting issue with my usual RED workflow and thought I'd consult the = list for alternative options.

Basically we have = our editors edit shots from a ProRes  proxy that we generate on = set.

When it is time to conform, I get the = editors to export an XML from FCP then in a text editor I simply do a = search and replace to replace the footage path and file extension from = mov to r3d.

When I load the xml into AE voila, = I now have my edit made up of 5k footage instead of the 1080 QT = files.

This has worked great until = now.

We just did a big shoot and because some = of the takes are longer than usual, the RED camera has split the file = into multiple segments thus breaking my amazing = workflow.

In our Smoke, we can just load the = original XML and tell it to replace the footage with RED footage and it = automatically works.

Any idea of a good way to = conform in AE?

Maybe I could do something in PP = and get that into = AE.

Thanks.

Phil



signature1 Phil = Spitler  |  Creative Technologist   |  Bonfire Labs  |  t : 415.394.8200  m : = 415.571.3139

Website | Facebook | LinkedIn
=


= = --Apple-Mail=_DE146880-1EF2-4138-A1F9-399CF859CF12--