Return-Path: Received: from mail-qa0-f41.google.com ([209.85.216.41] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 4873213 for AE-List@media-motion.tv; Mon, 15 Oct 2012 22:21:20 +0200 Received: by mail-qa0-f41.google.com with SMTP id p27so1696712qat.7 for ; Mon, 15 Oct 2012 13:23:38 -0700 (PDT) X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=google.com; s=20120113; h=from:mime-version:content-type:subject:date:in-reply-to:to :references:message-id:x-mailer:x-gm-message-state; bh=Fpy4kwZkVheuHTaFAHsHvpzMf1bBtRZY1uSiyPyqteQ=; b=pAXPznIhJ5fC6bkLL1s2HJS8YGTyaOQJbDlMjmGsJO9X7gRjkZLfw4R17bAKfD5sBS SaMiaHbooLk7jIqdKu435MX8RRJr+y8g+v8T9te9l1jfMfAbBs20QWOBbNOrX6rHVYzu FFOzB5SWxyX4oBdHDBveSpb7+rk+O1ytEK3v5ckKQENmnu5gjVbxr2bw9gPEdHjG7nr+ 3A7iuQJVyI1xUfEfeV0rb5LhiU03uFEWTfjtZiADykcFMaxwIofzYJWTOzFqSSLCHBKd k1VhxEre4QtGc1heE0WUdbqimLCt3YGIC5iA27wFeiuHj15QaGmeYUMY+KiYG6xousP8 q8Hg== Received: by 10.224.70.138 with SMTP id d10mr22720280qaj.12.1350332618474; Mon, 15 Oct 2012 13:23:38 -0700 (PDT) Return-Path: Received: from [10.0.0.137] ([65.223.58.66]) by mx.google.com with ESMTPS id gw9sm16377948qab.4.2012.10.15.13.23.30 (version=TLSv1/SSLv3 cipher=OTHER); Mon, 15 Oct 2012 13:23:37 -0700 (PDT) From: Phil Spitler Mime-Version: 1.0 (Apple Message framework v1283) Content-Type: multipart/alternative; boundary="Apple-Mail=_3C6579B7-23B7-4AE6-95EB-E45F8598A432" Subject: Re: [AE] RED Workflow Date: Mon, 15 Oct 2012 13:23:54 -0700 In-Reply-To: To: "After Effects Mail List" References: Message-Id: X-Mailer: Apple Mail (2.1283) X-Gm-Message-State: ALoCoQlOeBIZ6oqBK3jTyGUeyaqpHZEsbf8I7F0Q0WaFCBw6ZSq46Ec3djpp0TV3C49dyOPUzSrb --Apple-Mail=_3C6579B7-23B7-4AE6-95EB-E45F8598A432 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=iso-8859-1 Yup, I just found this on their sire. *Currently only works when proxy media is created using Log & Transfer I'm not sure if we RCX Pro but will check that out, any other options? Thanks, Phil Phil Spitler | Creative Technologist | Bonfire Labs | t : = 415.394.8200 m : 415.571.3139 Website | Facebook | LinkedIn On Oct 15, 2012, at 1:06 PM, rendernyc wrote: > IIRC that needs to have had the transcode done in the editing app for = it to swap >=20 > On Mon, Oct 15, 2012 at 3:55 PM, Phil Spitler = wrote: > Wow... I never spotted that option... >=20 > I just tried it though and it didn't work swap out (or through up an = errors). >=20 > Does the media need to be in specific locations? >=20 > Thanks Jack. >=20 > Phil >=20 >=20 > Phil Spitler | Creative Technologist | Bonfire Labs | t : = 415.394.8200 m : 415.571.3139 >=20 > Website | Facebook | LinkedIn >=20 > On Oct 15, 2012, at 12:40 PM, Jack Tunnicliffe wrote: >=20 >> Automatic Duck will automatically replace with R3D >>=20 >> Jack Tunnicliffe >> Java Post Production >> 402, 2206 Dewdney ave. >> Regina, SK >> Canada >> S4R 1H3 >> P. 306-777-0150 >> cell. 306-536-4321 >> www.javapost.ca >> ______________ >>=20 >>=20 >>=20 >> On Oct 15, 2012, at 1:35 PM, Phil Spitler = wrote: >>=20 >>> Hi, >>> I have hit an interesting issue with my usual RED workflow and = thought I'd consult the list for alternative options. >>>=20 >>> Basically we have our editors edit shots from a ProRes proxy that = we generate on set. >>>=20 >>> When it is time to conform, I get the editors to export an XML from = FCP then in a text editor I simply do a search and replace to replace = the footage path and file extension from mov to r3d. >>>=20 >>> When I load the xml into AE voila, I now have my edit made up of 5k = footage instead of the 1080 QT files. >>>=20 >>> This has worked great until now. >>>=20 >>> We just did a big shoot and because some of the takes are longer = than usual, the RED camera has split the file into multiple segments = thus breaking my amazing workflow. >>>=20 >>> In our Smoke, we can just load the original XML and tell it to = replace the footage with RED footage and it automatically works. >>>=20 >>> Any idea of a good way to conform in AE? >>>=20 >>> Maybe I could do something in PP and get that into AE. >>>=20 >>> Thanks. >>>=20 >>> Phil >>>=20 >>>=20 >>>=20 >>> Phil Spitler | Creative Technologist | Bonfire Labs | t : = 415.394.8200 m : 415.571.3139 >>>=20 >>> Website | Facebook | LinkedIn >>>=20 >>=20 >=20 >=20 >=20 >=20 > --=20 > danny princz >=20 > exposedideas.com --Apple-Mail=_3C6579B7-23B7-4AE6-95EB-E45F8598A432 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=iso-8859-1 Yup, = I just found this on their sire.

*Currently only works when proxy media is created using Log = & Transfer


I'm not sure if we RCX Pro = but will check that out, any other options?


signature1 Phil = Spitler  |  Creative Technologist   |  Bonfire Labs  |  t : 415.394.8200  m : = 415.571.3139

Website | Facebook | LinkedIn

On Oct 15, 2012, at 1:06 PM, rendernyc wrote:

IIRC that = needs to have had the transcode done in the editing app for it to = swap

On Mon, Oct 15, 2012 at 3:55 PM, = Phil Spitler <phil@bonfirelabs.com> wrote:
Wow... I never spotted that = option...

I just tried it though and it didn't work = swap out (or through up an errors).

Does the media need to be in specific = locations?

Thanks Jack.

Phil


Phil = Spitler  |  Creative Technologist   |  Bonfire Labs  |  t : 415.394.8200  m : 415.571.3139

Website | Facebook | LinkedIn

On Oct 15, 2012, at 12:40 PM, = Jack Tunnicliffe wrote:

Automatic Duck will automatically replace = with R3D

Jack Tunnicliffe
Java Post Production
402, 2206 Dewdney ave.
Regina, SK
Canada
S4R 1H3
______________
=



On Oct 15, 2012, at 1:35 PM, Phil Spitler <phil@bonfirelabs.com> = wrote:

Hi,
I have hit an interesting issue with my usual RED workflow and thought = I'd consult the list for alternative = options.

Basically we have our editors edit = shots from a ProRes  proxy that we generate on set.

When it is time to conform, I get the editors to = export an XML from FCP then in a text editor I simply do a search and = replace to replace the footage path and file extension from mov to = r3d.

When I load the xml into AE voila, I now have my edit = made up of 5k footage instead of the 1080 QT = files.

This has worked great until = now.

We just did a big shoot and because some = of the takes are longer than usual, the RED camera has split the file = into multiple segments thus breaking my amazing workflow.

In our Smoke, we can just load the original XML and = tell it to replace the footage with RED footage and it automatically = works.

Any idea of a good way to conform in = AE?

Maybe I could do something in PP and get that into = AE.

Thanks.

Phil



Phil = Spitler  |  Creative Technologist   |  Bonfire Labs  |  t : 415.394.8200  m : 415.571.3139

Website | Facebook | LinkedIn
=


=


--
danny princz

exposedideas.com

= --Apple-Mail=_3C6579B7-23B7-4AE6-95EB-E45F8598A432--